Guitar Amp Simulator
This is an effect that simulates the sound of a guitar amplifier.
Parameter | Value | Explanation | ||
|---|---|---|---|---|
Amp Sw | OFF, ON | Turns the amp switch on/off. | ||
Amp Type |
| Type of guitar amp | ||
JC-120 | This models the sound of the Roland JC-120. | |||
CLEAN TWIN | This models a Fender Twin Reverb. | |||
MATCH DRIVE | This models the sound input to left input on a Matchless D/C-30. This gives you the sound of a tube amp that’s widely used in genres from blues rock to fusion. | |||
BG LEAD | This models the lead sound of the MESA/Boogie combo amp. This is the sound of a vacuum tube amp typical of the late 1970s through the 1980s. | |||
MS1959I | A model of the Marshall 1959 sound, with the sound connected to input I. This gives a sound that’s heavy on the treble, suitable for hard rock. | |||
MS1959II | A model of the Marshall 1959 sound, with the sound connected to input II. | |||
MS1959I+II | This models the sound of connecting inputs I and II on a Marshall 1959 in parallel. lt creates a sound with a stronger low end than MS1959I. | |||
SLDN LEAD | Models a Soldano SLO-100. This is a typical sound of the 80’s. | |||
METAL 5150 | This models the lead channel of a Peavey EVH5150. | |||
METAL LEAD | This is distortion sound that is ideal for performances of heavy riffs. | |||
OD-1 | This models the sound of the BOSS OD-1. This produces sweet, mild distortion. | |||
OD-2 TURBO | This is the high-gain overdrive sound of the BOSS OD-2. | |||
DISTORTION | This gives a basic, traditional distortion sound. | |||
FUZZ | A fuzz sound with rich harmonic content. | |||
Amp Volume (*1) | 0–127 | Volume and amount of distortion of the amp | ||
Amp Master | 0–127 | Volume of the entire pre-amp | ||
Amp Gain | LOW, MIDDLE, HIGH | Amount of pre-amp distortion | ||
Amp Bass | 0–127 | Tone of the bass/mid/treble frequency range | ||
Amp Middle | ||||
Amp Treble | ||||
Amp Presence | 0–127 | Tone for the ultra-high frequency range | ||
Amp Bright | OFF, ON | Turning this “On” produces a sharper and brighter sound.
| ||
Speaker Sw | OFF, ON | Determines whether the signal passes through the speaker (ON), or not (OFF). | ||
Speaker Type |
| Cabinet | Diameter (in inches) and number of the speaker | Microphone |
SMALL 1 | Small open-back enclosure | 10 | Dynamic | |
SMALL 2 | Small open-back enclosure | 10 | Dynamic | |
MIDDLE | Open back enclosure | 12 x 1 | Dynamic | |
JC-120 | Open back enclosure | 12 x 2 | Dynamic | |
BUILT-IN 1 | Open back enclosure | 12 x 2 | Dynamic | |
BUILT-IN 2 | Open back enclosure | 12 x 2 | Condenser | |
BUILT-IN 3 | Open back enclosure | 12 x 2 | Condenser | |
BUILT-IN 4 | Open back enclosure | 12 x 2 | Condenser | |
BUILT-IN 5 | Open back enclosure | 12 x 2 | Condenser | |
BG STACK1 | Sealed enclosure | 12 x 2 | Condenser | |
BG STACK2 | Large sealed enclosure | 12 x 2 | Condenser | |
MS STACK1 | Large sealed enclosure | 12 x 4 | Condenser | |
MS STACK2 | Large sealed enclosure | 12 x 4 | Condenser | |
MTL STACK | Large double stack | 12 x 4 | Condenser | |
2-STACK | Large double stack | 12 x 4 | Condenser | |
3-STACK | Large triple stack | 12 x 4 | Condenser | |
Mic Setting | 1, 2, 3 | Adjusts the location of the microphone that is recording the sound of the speaker. This can be adjusted in three steps, with the microphone becoming more distant in the order of 1, 2, and 3. | ||
Mic Level | 0–127 | Mic volume | ||
Direct Level | 0–127 | Volume of the direct sound | ||
Pan | L64–63R | Stereo location of the output sound | ||
Level | 0–127 | Output Level | ||
*1: This parameter corresponds to MFX CTRL. For details, refer to “Controlling the MFX with the PAD EDIT [1] [2] Knobs (MFX Ctrl)”.
*1: This parameter corresponds to MASTER EFFECT CTRL. For details, refer to “Controlling the MASTER EFFECT with the MASTER EFFECT Knob (MASTER EFFECT CTRL)”.