Calibrating the mic sound quality (Cleanup)

Here’s how to adjust the sound quality of the mic audio to make your voice sound listenable and clear.

This feature helps you to suppress ambient noise or to normalize the differences in volume between mics, for instance.

 

  1. On the menu screen, click the “MIC CLEANUP” tab and set the parameters in the respective menus.

 

 

Menu

Value

Explanation

LOW CUT: This cuts out unneeded low-band audio.

LOW CUT

Off, On

Turns the low cut on/off.

Flat–500Hz

Sets the frequency point from which the output is cut. The frequencies below the frequency point you set are cut.

NOISE SUPPRESSOR: This suppresses noises picked up from the surrounding environment by the mic.

NOISE SUPPRESSOR

Off, On

Switches the noise suppressor on/off.

TYPE

Sets the noise suppressor type.

EXPANDER

Brings down the volume on sounds that are lower in volume than the threshold. This helps keep down white noise and other such sounds during silence.

GATE

Suppresses sounds that are lower in volume than the threshold. This helps remove white noise and other such sounds during silence.

ADAPTIVE

Analyzes the ambient sound to suppress unnecessary environmental noise.

LEVEL

-60–0dB

(when using the expander)

Sets the threshold level at which the sound is reduced.

-96–0dB

When GATE is used

Specifies the level used as the threshold for suppressing audio.

0–9

When ADAPTIVE is used

Sets the level for suppressing noise. Larger values suppress more noise.

  • If you hear unwanted changes in the sound when using the noise suppressor, such as quieter audio or changes in sound quality, these issues may be resolved if you increase the input gain for the mic.

ATTACK

0–100ms

When GATE is used

Sets how long it takes for the noise suppressor to be applied.

  • The time is for reference only. This also changes depending on the volume.

RELEASE

0–4000ms

(when using the expander)

Sets how long it takes for the noise suppressor effect to be cancelled.

  • The time is for reference only. This also changes depending on the volume.

50–5000ms

When GATE is used

DE-ESSER: Reduces sibilant noise (the sounds you hear when pronouncing “s” words and other hissing sounds).

DE-ESSER

Off, On

Turns the de-esser on/off.

1–10

Adjusts the intensity of the de-esser effect.

COMPRESSOR: Makes louder sounds quieter. This reduces the difference between the louder and softer sounds, making the audio more listenable.

COMPRESSOR

Off, On

Turns the compressor on/off.

LEGACY MODE

This selects the compressor type.

The parameters displayed depend on the LEGACY MODE setting.

Off

Simulates a compressor used in a recording studio.

On

A regular compressor. The detailed parameters can be adjusted.

LEGACY MODE: Off

COMPRESSOR

0–127

Larger values cause the sound to be compressed.

GR (GAIN REDUCTION) meter

Displays the audio compression status.

ADVANCED

When this is on, you can set the PEAK REDUCTION and GAIN.

PEAK REDUCTION

0–100

Adjusts the degree of compression.

GAIN

0–100

Adjusts the final output volume level after applying the compressor.

LEGACY MODE: On

THRESHOLD

-48–0dB

Specifies the level used as the threshold at which the compressor is applied. Reduces the level of sounds that exceed the level you specify here.

RATIO

1.00:1– Inf:1

Sets the ratio at which the sound level is reduced, when it crosses the threshold.

For example, if you set “RATIO” to “2.00:1”, audio levels that cross the threshold are reduced by 1/2.

ATTACK

0–100ms

Sets how long it takes for the compressor to be applied.

  • The time is for reference only. This also changes depending on the volume.

RELEASE

50–5000ms

Sets how long it takes for the compressor to be cancelled.

  • The time is for reference only. This also changes depending on the volume.

POST GAIN

+0–+30dB

Adjusts the final output volume level after applying the compressor.

EQ: This is a 10-band equalizer, which lets you adjust the volume for each frequency band.

EQ

Off, On

Turns the equalizer on/off.

Frequency characteristics graph

Displays the frequency characteristics of the input sound as a graph.

Frequency band

Effect

SUB BASS

Adds weight and thickness to your voice.

BOOM

Adjusts the degree of muddiness in the sound.

BROADCAST

Adjusts the clarity and solidity of the voice.

By precisely controlling this frequency band, the voice recorded by microphone is optimized for broadcasting, bringing it closer to the clear, solid “broadcast voice” that’s like what you hear on the radio.

NASAL

Sharpens the contour of the sound.

Adjusts clangorous sounds or sounds that seem thin.

PRESENCE & ESSES

Adjusts the brightness and coherence of the sound, as well as the sibilance.

AIR

Adjusts the airiness of the sound.

ADVANCED

Off, On

When this is on, the frequency and gain values are shown.

Also, you can set the Q (frequency bandwidth).

Frequency/gain

The frequency/gain of each band is shown as points.

Drag and drop a point to set the frequency/gain.

  • When “ADVANCED” is off, only four bands (2, 4, 7 and 10) can be set.

Frequency

Band 1

20–400Hz

Specifies the boost/cut center frequency for each frequency band.

Bands 2–4

20–470Hz

Bands 5–7

315Hz–3.3kHz

Bands 8, 9

3.0–20.0kHz

Band 10

800Hz–20.0kHz

Gain

Bands 1–10

-12–+12

Sets the amount of boost/cut for each frequency band.

Q

0.3–16.0

Adjusts the bandwidth used for boosting or attenuating each frequency band.

  • This setting is available when the “ADVANCED” switch is enabled.