DELAY

This effect adds delayed sound to the direct sound, to give more body to the sound or create special effects.

Parameter	Value	Explanation
ON/OFF	OFF, ON	Turns this effect on/off.
TYPE	Selects the type.
	STANDARD	Delays the sound to create an echo-like effect.
	PAN	This delay is specifically for stereo output. This allows you to obtain the tap delay effect that divides the delay time, then deliver them to L and R channels.
	REVERSE	Produces a reverse playback effect.
	ANALOG	Gives a mild analog delay sound.
	SPACE ECHO	Models the Roland RE-201.
	BIN ECHO	This models the sound of the Binson Echorec2.
	GIGA DELAY	This models the BOSS GIGA DELAY DD-20 in STANDARD mode.
	VINT.DIGITAL	This is a warm delay that models the early digital delay sounds.
	SLOW ATTACK	This is a delay with a slow attack applied, like playing with a volume control.
	SHIMMER	Delay with pitch-shifted sound mixed in.
	WARP	Produces a dream-like sound.
	TWIST	Produces an aggressive sense of rotation. Using this in conjunction with distortion will produce an even wilder sense of rotation.
	GLITCH	Creates a machine gun-like delay effect.
TIME^*1	1–2000 ms, BPM Ō–ŀ	Adjusts the delay time. When set to BPM, the value of each parameter will be set according to the value of the “MASTER BPM” specified for each memory. This makes it easier to achieve effect sound settings that match the tempo of the song. If, due to the tempo, the time is longer than the range of allowable settings, it is then synchronized to a period either 1/2 or 1/4 of that time. ŀ is a double whole note, which is twice as long as a whole note. The value to set differs depending on the type.
FEEDBACK^*2	0–100	Adjusts the volume of delay that is returned to the input. Higher settings will result in more delay repeats.
LEVEL^*3	1–120	Adjusts the volume of the delay sound. The value to set differs depending on the type.
DIRECT^*2	0–100	Adjusts the volume of the direct sound.
TONE^*4	0–100	Adjusts the tonal character of the delay sound. When the knob is in the center position, the response is flat. Turning the knob toward the right boosts the high-frequency range, and turning it toward the left cuts the high-frequency range.
HIGH CUT^*5	20.0 Hz–12.5 kHz, FLAT	Sets the frequency at which the high cut filter begins to take effect. When FLAT is selected, the high cut filter has no effect.
MOD RATE^*6	0–100	Adjusts the modulation rate of the delay sound.
MOD DEPTH^*6	0–100	Adjusts the modulation depth of the delay sound.
TAP TIME^*7	0–100 %	Adjusts the delay time of the right channel delay. This setting adjusts the R channel delay time relative to the L channel delay time (considered as 100%).
TRIGGER^*8	OFF, ON	If this is ON, the effect is applied. When the memory is written, this parameter is stored in the OFF state.
HEAD^*9	1, 1+2, 1+3, 2+3, 1+2+3	Selects the combination playback heads. Playback heads 2/3 provide delay times that are two times or three times as long as playback head 1.
WOW&FLUT^*10 (WOW&FLATTER)	0–100	Adjusts the wow & flutter.
SELECTOR^*11	ECHO, REPEAT, SWELL	Selects the operating mode of the delay. Depending on mode that’s selected, the FEEDBACK will not work in some cases.
FILTER^*12	OFF, ON	Turns the filter on/off that cuts the high-band frequencies.
RANGE^*12	8 kHz, 17 kHZ	This selects the register to which the effect is applied.
DELAY PHASE^*12	NORMAL, INVERT	Specifies the phase of the delay sound. Selecting INVERT inverts the phase.
FB PHASE^*12 (FEEDBACK PHASE)	NORMAL, INVERT	Specifies the phase of the delay sound feedback. Selecting INVERT inverts the phase.
TARGET^*13	EFFECT	Produces a slow attack effect on only the delay sound.
TARGET^*13	ALL	Produces a slow attack effect on both the direct sound and the delay sound.
SENS^*13	0–100	Adjusts the sensitivity by which the volume is automatically adjusted according to the input. Increasing this value makes the response more sensitive at lower volumes.
RISE TIME^*14	0–100	This parameter adjusts the amount of time it is to take for the effect to transition to the maximum.
FALL TIME^*15	0–100	Adjusts the time it takes for the rotation effect to stop when MODE changes from RISE to FALL.
CURVE^*13	-50–+50	Adjusts the envelope of the slow attack effect. Larger values produce a slower attack, and smaller values produce a faster attack.
PITCH^*16	-24–+24	Lets you freely specify the amount of pitch shift for the delay.
GLITCH^*17	0–100	Adjusts the intensity of the GLITCH effect.
BALANCE^*18	0–100	Adjusts the balance between the pitch-shifted sound that is input to the delay and the direct sound.
PITCH FB^*16 (PITCH FEEDBACK)	0–100	Adjusts the amount of feedback for the delay that is applied to the direct sound.

For all effects except for TWIST
Only for effects besides WARP, TWIST and GLITCH
For all effects except for GLITCH
Only for GIGA DELAY
Only for effects besides GIGA DELAY, WARP, TWIST and GLITCH
Only for STANDARD and ANALOG
Only for TAP
Only for effects besides REVERSE. WARP, TWIST and GLITCH
Only for SPACE ECHO
Only for SPACE ECHO and BIN ECHO
Only for BIN ECHO
Only for VINT.DIGITAL
Only for SLOW ATTACK
Only for SLOW ATTACK and TWIST
Only for TWIST
Only for SHIMMER
Only for GLITCH
Only for SHIMMER and GLITCH

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In this manual, company names and product names of the respective owners are used because it is the most practical way of describing the sounds that are emulated using DSP technology.