Sound list
Preset memory list
Memory number | Memory name | GUITAR/ BASS | STRUCTURE | FX1 | FX2 | FX3 | FX4 | Explanation |
|---|---|---|---|---|---|---|---|---|
1 | CLEAN LEAD | GUITAR | SERIAL1 | COMP | OD/DS | DELAY | REVERB | An orthodox combination of a MID BOOST OD/DS (overdrive/distortion) and COMPRESSOR. Turn the FX2 block BOOSTER on to make the sound more full-bodied. |
2 | DYNAMIC LEAD | GUITAR | SERIAL1 | COMP | OD/DS | PEQ | DELAY | An overdrive/distortion crunch sound with a stronger bottom end. Turn the FX1 block COMPRESSOR on to give the sound greater presence. |
3 | TAPE ECHO | GUITAR | SERIAL1 | DELAY (S.ECHO) | REVERB | - | - | A lightweight tape echo sound. This memory was designed to be used with this product placed at the end of the pedalboard effect chain. |
4 | SYMPHONY | GUITAR | SERIAL1 | COMP | SLOW GEAR | CHORUS | DELAY (SHIMMER) | A thick pad-like sound that’s created using the SLOW GEAR, CHORUS and SHIMMER DELAY effects. |
5 | BLACK HALL | GUITAR | SERIAL1 | DELAY (ANALOG) | REVERB (SHIMMER) | - | - | A deep reverb sound that draws the listener in, created with the ANALOG DELAY and SHIMMER REVERB effects. This memory was designed to be used with this product placed at the end of the pedalboard effect chain. |
6 | 60s ROCK ‘N ROLL | GUITAR | SERIAL1 | OD/DS | REVERB | DELAY (S.ECHO) | - | A classic, lightweight slapback echo sound for use with 1960s rock music. |
7 | TREMOLO CLEAN | GUITAR | SERIAL1 | COMP | TREMOLO | PEQ | REVERB | A simple, clean tremolo sound. |
8 | FUNKY A-WAH | GUITAR | SERIAL1 | COMP | AUTO WAH | REVERB | - | A sound for strumming that uses AUTO WAH. |
9 | SHIMMER HALL | GUITAR | PARALLEL1 | REVERB (SHIMMER) | DELAY | DELAY | - | A spatial sound that follows the BPM, with a varied time and delay added to SHIMMER REVERB for spaciousness. This memory was designed to be used with this product placed at the end of the pedalboard effect chain. |
10 | FLEX CLEAN | GUITAR | SERIAL1 | OD/DS | CHORUS | COMP | DELAY | A clean sound that uses a light CHORUS and a dotted eighth note DELAY. Turn the FX1 block BOOSTER on for a distorted sound with an emphasized high-band range. |
11 | ACOUSTIC GUITAR | GUITAR | SERIAL1 | AC GUITAR SIMULATOR | COMP | PEQ | REVERB | Changes a single-coil pickup tone to an acoustic guitar tone. |
12 | RICH& LAYERED | GUITAR | SERIAL1 | COMP | DELAY (S.ECHO) | CHORUS | REVERB (SHIMMER) | A massive sound, which stacks the X-COMP for bass with SHIMMER REVERB and other effects. Turn the FX2 DELAY on to produce a complex reverberating sound combined with TAPE ECHO. |
13 | TRIO CHORUS | GUITAR | SERIAL1 | CHORUS | CHORUS | CHORUS | - | A chorus sound with depth, combining three CHORUS effects that use different PRE DELAY settings. |
14 | SMOOTH VIBRATO | GUITAR | SERIAL1 | COMP | VIBRATO | DELAY (S.ECHO) | REVERB (SHIMMER) | A backing sound that features a shimmering VIBRATO effect. Recommended when the pickup selector is set to an in-between (combined pickup) position. |
15 | DETUNED DS LEAD | GUITAR | SERIAL1 | OD/DS | PITCH SHIFTER | DELAY | REVERB | A massive sound in which X-DIST is set up for the rear single pickup, and a feeling of spaciousness is produced by PITCH SHIFTER detuning. |
16 | W&F BLISS | GUITAR | SERIAL1 | COMP | FLANGER | DELAY (S.ECHO) | REVERB (SHIMMER) | A sparkling reverberating sound that simulates tape delay with the COMPRESSOR taking effect, which emphasizes wow & flutter. Turn the FX2 block FLANGER on for added spaciousness. |
17 | STADIUM ROCK | GUITAR | SERIAL1 | CHORUS | OD/DS | GEQ | REVERB | A sound that simulates the feeling of playing in a stadium, with a modulated CHORUS effect and REVERB added to a DISTORTION sound. This is recommended for rear humbucker pickups. |
18 | BOUNCE ARPEGGIO | GUITAR | PARALLEL1 | OCTAVE | PITCH SHIFTER | PITCH SHIFTER | DELAY (S.ECHO) | Two PITCH SHIFTER effects with different PRE DELAY settings are combined to create a dreamlike and arpeggiated type of sound. Turn the FX1 block OCTAVE on for a more massive sound. |
19 | CHURCH LEAD | GUITAR | SERIAL1 | OD/DS | OD/DS | DELAY (S.ECHO) | REVERB | A crunch lead sound with the sound of REVERB that’s brought to the forefront. Recommended for front single-coil pickups. |
20 | SYN-FUZZ | GUITAR | SERIAL1 | OD/DS | RING MODULATOR | DELAY | - | A thick synthesizer-like sound, which combines OCT FUZZ with RING MODULATOR. |
21 | FOREVER CLEAN | GUITAR | PARALLEL1 | CHORUS | REVERB | DELAY (S.ECHO) | COMP | A deep reverberation effect that combines a rather long DELAY and REVERB. Turn the FX1 block CHORUS on for even more complex reverberations. |
22 | OC METAL | GUITAR | SERIAL1 | OCTAVE | OD/DS | - | - | A heavy sound that’s like playing in unison with a bass, created by combining the OCTAVE and METAL DS effects. This memory was designed to be used with this product placed at the front of the pedalboard effect chain. |
23 | DELAY WITH YOU | GUITAR | PARALLEL1 | PEQ | DELAY (S.ECHO) | DELAY (S.ECHO) | REVERB | An orthodox reverb sound, created with SPACE ECHO and REVERB. Turn the FX2 block on to add another SPACE ECHO for more massive reverberations. This memory was designed to be used with this product placed at the end of the pedalboard effect chain. |
24 | CRUNCHY TREMOLO | GUITAR | SERIAL1 | OD/DS | CHORUS | TREMOLO | DELAY (S.ECHO) | A touch-responsive crunch sound that emphasizes the sense of movement created by the TREMOLO and DELAY. Turning CHORUS on for the FX2 block gives an even more spacious sound. |
25 | SLAP BACK | GUITAR | SERIAL1 | DELAY (S.ECHO) | REVERB | - | - | A simple slapback sound that combines SPACE ECHO with SPRING REVERB. This memory was designed to be used with this product placed at the end of the pedalboard effect chain. |
26 | FUZZ+DS | GUITAR | PARALLEL1 | OD/DS | OD/DS | OD/DS | REVERB | A distorted sound with a muddy but full-bodied tone, which is created by mixing the WARM OD and FUZZ effects. Turn the FX1 BOOSTER on to produce an even more sustaining tone. |
27 | LUX REVERS | GUITAR | SERIAL1 | DELAY | REVERB | - | - | An extravagant-sounding reverb with a floating feel, which uses REVERSE DELAY. This is recommended for humbucker pickups. This memory was designed to be used with this product placed at the end of the pedalboard effect chain. |
28 | PHASE- GAZER | GUITAR | PARALLEL1 | COMP | OD/DS | OD/DS | PHASER | A swelling drive sound that mixes both OCT FUZZ and OVERDRIVE after passing through the COMPRESSOR, with the sound brought together by the PHASER. |
29 | BIG ORCHESTRA | GUITAR | SERIAL1 | PITCH SHIFTER | GEQ | DELAY | REVERB (SHIMMER) | An orchestral pad sound with rich harmonics that uses both PAN DELAY and SHIMMER REVERB. Turn the FX1 block PITCH SHIFTER on to add an organ-like flavor to the sound. |
30 | EXTMETAL FLANGER | GUITAR | PARALLEL1 | OD/DS | PITCH SHIFTER | FLANGER | GEQ | A massive metal sound that adds the swelling sound of the FLANGER to METAL DS, to which PITCH SHIFT is added one octave lower. This memory was designed to be used with this product placed at the front of the pedalboard effect chain. |
31 | SLOW GEAR | GUITAR | SERIAL1 | SLOW GEAR | OD/DS | - | - | A drive sound with a reverse playback-like sound created using SLOW GEAR. This memory was designed to be used with this product placed at the front of the pedalboard effect chain. |
32 | SYNCOPAD | GUITAR | SERIAL1 | REVERB (SHIMMER) | SLICER | PEQ | REVERB | An ambient sequenced sound that uses the SLICER to add a rhythmic effect to the chords you play. |
33 | STADIUM HR | GUITAR | SERIAL1 | SCRIPT PHASER | OD/DS | OD/DS | DELAY | A drive sound that’s suitable for late-1980s hard rock, featuring two OVERDRIVE effects and a PHASER stacked together for a three-dimensional sound with motion. |
34 | MEGA SHIMMER | GUITAR | PARALLEL1 | OD/DS | REVERB (SHIMMER) | REVERB (SHIMMER) | DELAY | A deep shimmer sound that mixes SHIMMER REVERB effects with different time settings. When OVERDRIVE for the FX1 block is ON, the sound gains greater presence. |
35 | MILD JAZZ | GUITAR | SERIAL1 | OD/DS | PEQ | DELAY | REVERB | A standard clean sound that’s suitable for jazz, which uses a simple DELAY and REVERB. Turn the FX1 block BOOSTER on to get a sound that works for jazz-rock. |
36 | FUZZ GATE | GUITAR | SERIAL1 | FLANGER | OD/DS | SLICER | DELAY (S.ECHO) | A sequenced sound that uses a FLANGER with resonance along with a SLICER that adds a rhythmic flavor. Turn the FX2 block FUZZ on to get an analog synthesizer-like sound. |
37 | RETRO AMBIENCE | GUITAR | SERIAL1 | OD/DS | TREMOLO | DELAY (S.ECHO) | REVERB | A crunch sound to which tremolo is applied. Turn the FX1 block OVERDRIVE on to get a sound that’s suitable for blues rock. |
38 | FUNKY ROCK | GUITAR | SERIAL1 | COMP | OD/DS (OVERDRIVE) | CHORUS | DELAY | A chorus sound that uses the COMPRESSOR for a sound suitable for funk music. Turn the FX2 block OVERDRIVE on to get a modulated drive sound that’s suitable for funk rock. |
39 | HEAVY OCTAVE | GUITAR | SERIAL1 | OCTAVE | VIBRATO | OD/DS | - | A heavy metal sound with the OCTAVE effect applied. Turn the FX2 VIBRATO on to get a characteristic sound with an emphasized unstable sonic texture. |
40 | DANCING TREMOLO | GUITAR | PARALLEL1 | COMP | OD/DS | TREMOLO | DELAY | A rhythmic sound created by TREMOLO and DELAY. Turn the FX2 OVERDRIVE on to get a crunch sound with modulation. |
41 | Hi-Fi CHURCH | GUITAR | SERIAL1 | COMP | CHORUS | REVERB | REVERB | An ambient clean sound with a COMPRESSOR effect. This creates a realistic church reverb by connecting two REVERB effects in series. Turn the FX2 CHORUS on to get a deeper sound. |
42 | GRUNGE FUZZ | GUITAR | SERIAL1 | OCTAVE | OD/DS | - | - | A grungy backing sound that offers a bold, sustaining FUZZ sound. Turn the FX1 OCTAVE on to get a brasher sound. This is recommended for humbucker pickups. |
43 | DOUBLE LAYER PH | GUITAR | PARALLEL1 | COMP | OD/DS | PHASER | REVERB | A clean sound with a deep 12-stage phaser. Turn the FX2 DISTORTION on to mix distortion in, creating a thicker phaser sound. |
44 | DEEP DUB ECHO | GUITAR | SERIAL1 | DELAY (S.ECHO) | REVERB | - | - | A dub sound with a deep echo. This memory was designed to be used with this product placed at the end of the pedalboard effect chain. |
45 | RICH CHORUS | GUITAR | SERIAL1 | CHORUS | DELAY | REVERB | - | A warm chorus sound. Turn the FX2 DELAY on to add a rhythmic delay. This memory was designed to be used with this product placed at the end of the pedalboard effect chain. |
46 | JET FUZZ | GUITAR | SERIAL1 | OCTAVE | OD/DS | FLANGER | DELAY (ANALOG) | A heavy sound with a brash FUZZ and a FLANGER effect. Turn the FX1 OCTAVE on for a more massive sound. |
47 | ROCK SHIMMER | GUITAR | PARALLEL1 | COMP | OD/DS | CHORUS | DELAY (SHIMMER) | A sparkling SHIMMER sound that’s modulated with a CHORUS effect, to which the COMPRESSOR is applied. Turn the FX2 FUZZ on for a sound with more pronounced harmonics. |
48 | ANALOG SPRING | GUITAR | SERIAL1 | DELAY (ANALOG) | REVERB | - | - | A combo sound that’s simple but warm, created with ANALOG DELAY and SPRING REVERB. This memory was designed to be used with this product placed at the end of the pedalboard effect chain. |
49 | +5TH MOD LEAD | GUITAR | PARALLEL1 | OD/DS | FLANGER | PHASER | PITCH SHIFTER | A swelling lead sound with FLANGER and PHASER mixed in, to which the sound a fifth above is added using PITCH SHIFTER. |
50 | SCRIPT DRIVE | GUITAR | SERIAL1 | SCRIPT PHASER | OD/DS | PEQ | - | A 1970s hard rock sound that features the SCRIPT PHASER and DISTORTION effects connected in series. |
51 | STRINGS PAD | GUITAR | SERIAL1 | SLOW GEAR | REVERB (SHIMMER) | DELAY | - | A synth pad-like sound for which only the SHIMMER REVERB effect is heard, and for which SLOW GEAR is used to remove the attack portion of the sound. |
52 | HALFSTEP LOWER | GUITAR | SERIAL1 | PITCH SHIFTER | OD/DS | GEQ | - | A heavy riff sound that uses PITCH SHIFTER to lower the sound a half step. This memory was designed to be used with this product placed at the front of the pedalboard effect chain. |
53 | MONO ORGAN | GUITAR | PARALLEL1 | COMP | OCTAVE | PITCH SHIFTER | ROTARY | A simple organ sound created using PITCH SHIFTER and ROTARY. Turn the FX2 block OCTAVE on to add an organ bass-like tone to the sound. |
54 | QUACKY LEAD | GUITAR | SERIAL1 | TOUCH WAH | COMP | OD/DS | DELAY (S.ECHO) | A unique funk sound that’s like a duck call, which uses TOUCH WAH to change the sound dynamically according to your picking strength. Turn the FX2 COMPRESSOR on for a more full-bodied sound. |
55 | DRILLED RIFF | GUITAR | SERIAL1 | RING MODULATOR | OD/DS | SLICER | - | A unique drill-like sound that combines the RING MODULATOR and SLICER effects. Turn the FX2 DISTORTION on for a more industrial-like effect. |
56 | REPEAT NOTE | GUITAR | PARALLEL1 | TREMOLO | DELAY | SLOW GEAR | REVERB | An ambient sound that fades in the SLOW GEAR sound after the REVERSE DELAY. |
57 | LIGHT CRUNCH | GUITAR | SERIAL1 | OD/DS | DELAY | - | - | A crunch sound that lets you enjoy the nuances of your picking. Recommended for front, center or mixed single-coil pickup combinations. |
58 | BALLAD DELAY | GUITAR | SERIAL1 | DELAY | REVERB (SHIMMER) | - | - | A simple long delay, created by using DELAY and SHIMMER REVERB. This memory was designed to be used with this product placed at the end of the pedalboard effect chain. |
59 | SLICE & FILTERED | GUITAR | SERIAL1 | OD/DS | AUTO WAH | SLICER | REVERB | A slicer sound that applies a filter using AUTO WAH, suitable for alternative rock. Turn the FX1 FUZZ on to add a sound one octave higher, giving the sound more thickness. |
60 | STEP & SHIMMER | GUITAR | SERIAL1 | COMP | PITCH SHIFTER | PHASER | DELAY (SHIMMER) | An ambient sound that connects the STEP PHASER and SHIMMER DELAY effects in series. Turn the FX2 PITCH SHIFTER on for a more massive sound. |
61 | SOFT PH LEAD | GUITAR | SERIAL1 | PHASER | OD/DS | COMP | DELAY | A floating hard rock sound that combines a soft PHASER and OVERDRIVE effect. |
62 | ACTION STAGE | GUITAR | SERIAL1 | PHASER | OD/DS | SLICER | REVERB | A pad sound with a deep reverb along with modulation generated by the PHASER and SLICER effects. Turn the FX2 block DISTORTION on to get a floating sound for riffs. |
63 | SUPER DELAY | GUITAR | SERIAL1 | DELAY | REVERB | - | - | A simple dotted eighth-note delay, created by using DELAY and REVERB. This memory was designed to be used with this product placed at the end of the pedalboard effect chain. |
64 | TEXAS CRUNCH | GUITAR | SERIAL1 | OD/DS | TREMOLO | REVERB | COMP | A simple blues rock sound, created by the OD/DS and SPRING REVERB effects. Add FX2 block TREMOLO for a soft modulation. |
65 | ANALOG LUXDELAY | GUITAR | PARALLEL1 | PEQ | DELAY (ANALOG) | DELAY (ANALOG) | REVERB | An extravagant-sounding ambient sound that blends well in the mix, which applies SPRING REVERB to a mix of two ANALOG DELAY effects. This memory was designed to be used with this product placed at the end of the pedalboard effect chain. |
66 | TREMOLO VOYAGE | GUITAR | SERIAL1 | OD/DS | COMP | TREMOLO | REVERB | A tremolo sound with a short ROOM REVERB. Turn the FX1 BOOSTER on to give the sound more presence. |
67 | MELLOW TREMOLO | GUITAR | SERIAL1 | TREMOLO | DELAY (ANALOG) | REVERB | - | A clean tremolo sound that uses a deep REVERB effect. Turn on a fairly long DELAY in the FX2 block for a sound that’s suitable for arpeggios. |
68 | NATURAL CRUNCH | GUITAR | SERIAL1 | OD/DS | CHORUS | DELAY | REVERB | A crunch tone that emphasizes your picking nuances. Turn the FX2 CHORUS on for a modulated sound that’s also suitable for playing chords. |
69 | SELF- REFLECT | GUITAR | PARALLEL1 | DELAY | TOUCH WAH | VIBRATO | REVERB | A complex stereo delay sound that uses PAN DELAY with a long feedback. Use the FX2 block TOUCH WAH for even more unique filter effects. |
70 | COUNTRY CRUNCH | GUITAR | SERIAL1 | COMP | TREMOLO | OD/DS | DELAY (S.ECHO) | A crunch sound that’s good for country rock. Turn the FX2 block TREMOLO on for a modulated sound that’s suitable for playing arpeggios and chords as well. |
71 | SLICER PAD | GUITAR | PARALLEL1 | FLANGER | SLICER | SLICER | REVERB (SHIMMER) | A pad sound that uses a deep FLANGER and a rhythmic SLICER effect. Turn on the FX2 SLICER with different settings to emphasize the rhythm for a unique sound. |
72 | LA LEAD SOUND | GUITAR | PARALLEL1 | COMP | OD/DS | OD/DS | PITCH SHIFTER | A 1980s hard rock sound with an A-DIST that achieves ideal distortion from low- to high-band, along with a PITCH SHIFTER to shift the pitch for a spacious effect. Turn on and mix in the FX2 DISTORTION to get a lead sound with presence. |
73 | PARALLEL SPACE | GUITAR | PARALLEL1 | DELAY | REVERB | - | - | A clean reverberation sound that’s suitable for recording, in which the signal is split and sent to the DELAY and REVERB respectively, so that the sound remains |
74 | FUZZY LEAD | GUITAR | SERIAL1 | OD/DS | PITCH SHIFTER | - | - | A lead sound that uses a bold, sustaining FUZZ effect. Turn the FX2 block PITCH SHIFTER on to transform the sound into a synthesizer-like lead sound. This memory was designed to be used with this product placed at the front of the pedalboard effect chain. |
75 | REVERSE CONCERT | GUITAR | SERIAL1 | DELAY | DELAY | REVERB | - | An ambient sound that uses REVERSE DELAY. Turn the FX1 STANDARD DELAY on for a rhythmic reverberation sound. |
76 | GARAGE PUNK | GUITAR | SERIAL1 | OD/DS | OD/DS | PEQ | REVERB | A garage punk-type backing sound that chains a DISTORTION effect after CLEAN BST. Recommended for rear single-coil pickups. |
77 | WAVE MOD | GUITAR | SERIAL1 | CHORUS | PHASER | - | - | A complex modulation sound that connects a CHORUS and PHASER effect in series, each with different rates. Recommended for center position humbucker pickups. |
78 | AOR LEAD | GUITAR | SERIAL1 | OD/DS | PITCH SHIFTER | CHORUS | - | A lead sound with an A-DIST that achieves ideal distortion from low- to high-band, along with a CHORUS that provides both spaciousness and modulation. Turn the FX2 block PITCH SHIFTER on to achieve a detuned effect, which adds a unique spaciousness to the sound. |
79 | BROKEN TOY | GUITAR | SERIAL1 | RING MODULATOR | VIBRATO | SCRIPT PHASER | - | A characteristic pop sound with an unstable modulation that uses the RING MODULATOR and SCRIPT PHASER effects. Turn the FX2 VIBRATO on for a unique sound with emphasized instability. |
80 | HARMO IN C LEAD | GUITAR | SERIAL1 | OD/DS | OD/DS | HARMONIST | DELAY | A lead sound with a massive atmosphere that adds a third below with HARMONIST to the DISTORTION sound. Turn the FX1 BOOSTER on to give the sound more presence. |
81 | SITAR SIM | GUITAR | SERIAL1 | SITAR SIM | COMP | PITCH SHIFTER | - | An ethnic sound that uses SITAR SIM. Uses PITCH SHIFTER to apply a detuning effect. This memory was designed to be used with this product placed at the front of the pedalboard effect chain. |
82 | RICH SHIMMER | GUITAR | SERIAL1 | CHORUS | DELAY (SHIMMER) | - | - | An ambient sound that combines the CHORUS and SHIMMER DELAY effects. Recommended for single-coil pickups. This memory was designed to be used with this product placed at the end of the pedalboard effect chain. |
83 | SLICER RIFF | GUITAR | SERIAL1 | SLICER | REVERB | - | - | A rhythmic riff sound that features the SLICER effect. This memory was designed to be used with this product placed at the end of the pedalboard effect chain. |
84 | SPIRAL FUZZ | GUITAR | PARALLEL1 | OD/DS | OCTAVE | CLASSIC-VIBE | SCRIPT PHASER | A fuzz sound with a deep swirling feel, which adds the CLASSIC VIBE effect with PHASER modulation to a brash FUZZ effect. Turn the FX2 OCTAVE on to mix in the low-end sound for greater presence. |
85 | DEFRET ECHO | GUITAR | SERIAL1 | DEFRETTER | SLOW GEAR | CHORUS | DELAY (S.ECHO) | A dreamlike ambient sound that applies a deep SPACE ECHO and uses the DEFRETTER and SLOW GEAR effects to remove the attack. |
86 | TRIO LEAD | GUITAR | SERIAL1 | OD/DS | HARMONIST | - | - | A multilayered lead sound that features a fat DISTORTION with a lower third added using the HARMONIST effect. This memory was designed to be used with this product placed at the front of the pedalboard effect chain. |
87 | MEGA JET FLANGER | GUITAR | SERIAL1 | CLASSIC-VIBE | FLANGER | - | - | A jet engine-like sound, created using a simple FLANGER. Turn the FX1 CLASSIC-VIBE on to emphasize the modulation effect. |
88 | ROTOR- RIZED | GUITAR | SERIAL1 | OD/DS | ROTARY | REVERB | COMP | An organ-like sound, which uses ROTARY and applies a light REVERB. Turn the FX1 OVERDRIVE on for a sound that works even better for playing leads. |
89 | DOUBLE FILTER | GUITAR | SERIAL1 | HUMANIZER | AUTO WAH | - | - | A unique sound that combines HUMANIZER and AUTO WAH. Recommended for center, rear or mixed single-coil pickup combinations. This memory was designed to be used with this product placed at the front of the pedalboard effect chain. |
90 | CHOFIELD | GUITAR | SERIAL1 | CHORUS | OD/DS | PEQ | - | A rather deep CHORUS sound. Turn the FX2 OVERDRIVE on for a sound that works even better for playing leads. |
91 | DEEP AMBIENT | GUITAR | SERIAL1 | REVERB | DELAY | - | - | A rhythmic ambient sound that combines a deep REVERB and DELAY effect. |
92 | CHO+MOD DLY | GUITAR | SERIAL1 | CHORUS | DELAY | - | - | A unique ambient sound that connects a stereo CHORUS in series with a DELAY that emphasizes the modulation. Designed for connecting to the SEND/RETURN jacks of a JC-120. This memory was designed to be used with this product placed at the end of the pedalboard effect chain. |
93 | SYNC AW+PH+DD | GUITAR | SERIAL1 | AUTO WAH | PHASER | DELAY | REVERB | A rhythmic modulation sound that synchronizes the effects by using a BPM setting for the RATE of each effect block. Turn the FX1 block AUTO WAH on to give the sound a springy, dynamic feel. |
94 | TOUCH FUNK | GUITAR | SERIAL1 | OD/DS | TOUCH WAH | COMP | REVERB | A funk sound that features TOUCH WAH. Turn the FX1 OVERDRIVE on to give the sound presence. |
95 | 8 bit LEAD | GUITAR | SERIAL1 | OD/DS | PITCH SHIFTER | GEQ | DELAY (ANALOG) | A unique effect like an 8-bit synthesizer sound, which uses OCT FUZZ and a PITCH SHIFTER effect shifted down a fifth. |
96 | MELODY SMOOTH | GUITAR | SERIAL1 | OD/DS | AC RESONANCE | COMP | REVERB | A sound that’s suitable for melodic chord playing. AC RESO is used to give the sound more character. Turn the FX2 block BOOSTER on to slightly boost the mid- to low-range frequencies of the sound. Recommended for front single-coil pickups. |
97 | RING TALK | GUITAR | PARALLEL1 | TREMOLO | RING MODULATOR | VIBRATO | REVERB | A distinctive, special-effect lead sound combining RING MODULATOR and VIBRATO. |
98 | BUBBLE TONE | GUITAR | PARALLEL1 | OD/DS | ROTARY | CHORUS | - | A unique sound combining ROTARY with a CHORUS for which the RATE and DEPTH are set to maximum. Turn the FX1 OVERDRIVE on for a sound that’s suitable for leads. |
99 | SPACY S-BEND | GUITAR | SERIAL1 | S-BEND | VIBRATO | OD/DS | DELAY | A floating distortion sound that uses S-BEND. Press the [É/1] switch to activate the S-BEND effect, which makes the pitch go up. Turn the FX2 VIBRATO on for a spacious sound produced by a detuning effect. |
100 | REVERSE S-BEND | GUITAR | PARALLEL1 | OD/DS | S-BEND | S-BEND | FLANGER | A relaxed distortion sound with a swelling feel that’s produced by the FLANGER effect. Press the [É/1] or [Ç/2] switches to activate the S-BEND effect, making the pitch either go down or up. |
101 | SPEED DOWN | GUITAR | SERIAL1 | SLICER | S-BEND | OD/DS | OD/DS | A wild fuzz sound that connects OCT FUZZ and DISTORTION in series.Press the [Ç/2] switch to activate S-BEND, which gives an effect like suddenly stopping an analog tape player. Turn the FX1 block SLICER on to emphasize the rhythm for a unique sound. |
102 | S2 DS & DIRECT | GUITAR | SERIAL2 | OD/DS | DELAY (ANALOG) | - | - | A memory that uses the SERIAL2 chain structure. The L/R channels work independently from input to output. The L channel outputs a sound that’s suitable for rock, and the R channel outputs the direct sound.
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103 | P2 LEAD & CHORUS | GUITAR | PARALLEL2 | PEQ | OD/DS | DELAY | CHORUS | A memory that uses the PARALLEL2 chain structure. The L channel output uses a DISTORTION sound, and the R channel output uses a clean CHORUS sound. Use this by connecting the L and R output channels respectively to an amp of your choice.
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104 | P3 AC SET | GUITAR | PARALLEL3 | AC GUITAR SIMULATOR | AC RESONANCE | TREMOLO | REVERB | A memory that uses the PARALLEL3 chain structure. The L channel input uses an acoustic sound, and the R channel input uses a clean TREMOLO sound. Use this by connecting the guitar you like to the L and R input channels respectively as needed.
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105 | [Ba]ROCK BASIC | BASS | PARALLEL1 | X-BASS OD | PEQ | PEQ | COMP | A basic rock sound that applies OVERDRIVE and PEQ respectively to the split signals. Turn the FX2 block PEQ on for a thick, full-bodied bass sound. |
106 | [Ba]SLAP BASS | BASS | SERIAL1 | COMP | GEQ | - | - | A sound that’s suitable for slap bass and which can be used in a variety of genres, featuring a simple COMPRESSOR and PEQ configuration. This memory was designed to be used with this product placed at the front of the pedalboard effect chain. |
107 | [Ba]PARA DRIVE | BASS | PARALLEL1 | COMP | X-BASS OD | PEQ | OD/DS | A sound that mixes two kinds of distortion: X-BASS OD and OCT FUZZ. Turn the FX1 COMPRESSOR on for a full-bodied, fat sound. |
108 | [Ba]HM PICK | BASS | PARALLEL1 | COMP | BASS OD/DS | GEQ | - | An old-school metal sound that’s suitable for playing with a pick, which uses BASS MT DISTORTION. |
109 | [Ba]OC DRIVE | BASS | SERIAL1 | COMP | BASS OCTAVE | X-BASS OD | PEQ | A modern sound that can be used for drum and bass music and so on, which retains the direct sound using BASS OCTAVE and adds distortion with X-BASS OD. |
110 | [Ba]FOREST | BASS | SERIAL1 | REVERB (SHIMMER) | DELAY (ANALOG) | - | - | An ambient sound that uses a DELAY with a short TIME setting, along with SHIMMER REVERB. This memory was designed to be used with this product placed at the end of the pedalboard effect chain. |
111 | [Ba]FL DRIVE | BASS | SERIAL1 | X-BASS OD | BASS FLANGER | DELAY (SHIMMER) | - | A lovely, reverberating ambient sound that adds modulation with a FLANGER effect to X-BASS OD, as well as SHIMMER DELAY. |
112 | [Ba] PH+REV | BASS | SERIAL1 | BASS PHASER | REVERB | - | - | A sound that’s appropriate for soul and funk music, which uses the PHASER effect to create a characteristic effect. |
113 | [Ba]CHO DRIVE | BASS | PARALLEL1 | BASS OD/DS | GEQ | X-BASS OD | CHORUS | A sound that adds the spaciousness of CHORUS to X-BASS OD. Turn the FX1 BASS OVERDRIVE on to mix in the X-BASS OD for greater presence. |
114 | [Ba]W ECHO | BASS | PARALLEL1 | PEQ | DELAY (S.ECHO) | DELAY (S.ECHO) | REVERB | A long delay that uses SPACE ECHO. Turn the FX2 SPACE ECHO on with the TIME offset for a complex delay sound. This memory was designed to be used with this product placed at the end of the pedalboard effect chain. |
115 | [Ba]N.W. FLANGER | BASS | SERIAL1 | BASS FLANGER | PEQ | GEQ | REVERB | A new wave/post-punk flanger sound that works well with both picking and slapping. |
116 | [Ba]MOTO TOWN | BASS | SERIAL1 | OD/DS | PEQ | - | - | A solid, grounded sound that’s appropriate for soul and funk music. This memory was designed to be used with this product placed at the front of the pedalboard effect chain. |
117 | [Ba] MYSTERY | BASS | SERIAL1 | RING MODULATOR | DELAY (SHIMMER) | - | - | A unique, unpredictable sound that uses the RING MODULATOR and SHIMMER DELAY effects. |
118 | [Ba] Lo-Fi | BASS | SERIAL1 | OD/DS | DELAY (S.ECHO) | PEQ | - | A lo-fi sound with a SPACE ECHO tape-like feel that’s added to the low frequency-centered tone, for which PEQ is used to cut the high-band frequencies. |
119 | [Ba] OCTAVER | BASS | SERIAL1 | COMP | BASS OCTAVE | PEQ | - | A heavy bass sound that emphasizes the low end with OCTAVE applied. |
120 | [Ba] REGGAE | BASS | SERIAL1 | BASS OD/DS | PEQ | GEQ | - | A sound that’s suitable for reggae/dub music, which uses the PEQ and GEQ to adjust the frequency characteristics. Turn the FX1 BASS OD ON to add a mellow distortion effect. |
121 | [Ba] PICCOLO | BASS | SERIAL1 | COMP | S-BEND | BASS OD/DS | REVERB | A sound suitable for leads, which uses X-BASS COMPRESSOR and PREAMP to adjust the signal into a piccolo bass-like sound. Press the [Ç/2] switch to apply the S-BEND effect, making the pitch go up. |
122 | [Ba]CTB. | BASS | PARALLEL1 | AC GUITAR SIMULATOR | PEQ | BASS DEFRETTER | PEQ | A contrabass-like sound that’s easy to use in ensemble situations, and which features the natural sound of the strings. Uses AC.GTR SIM. |
123 | [Ba]FUNK -TRON | BASS | SERIAL1 | BASS TOUCH WAH | PEQ | - | - | A sound suitable for funk music that uses BASS TOUCH WAH. |
124 | [Ba] FRETLESS | BASS | SERIAL1 | BASS DEFRETTER | PEQ | REVERB | - | A reverb sound that uses BASS DEFRETTER, appropriate for playing with your fingers. |
125 | [Ba]FUZZ +PHASER | BASS | PARALLEL1 | OD/DS | BASS PHASER | PEQ | PEQ | A psychedelic, retro synthesizer-like sound that combines OCT FUZZ with a BASS PHASER for which the rate is set to a slow setting. By using an external expression pedal, you can change the PEQ and FREQ and have fun creating unique modulations. |
126 | [Ba]S2 REC SET | BASS | SERIAL2 | BASS OD/DS | GEQ | - | - | A memory that uses the SERIAL2 chain structure. The L/R channels work independently from input to output. The L channel outputs a DISTORTION sound that’s suitable for rock, and the R channel outputs the direct sound.
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127 | [Ba]P2 W AMP | BASS | PARALLEL2 | COMP | GEQ | BASS OD/DS | REVERB | A memory that uses the PARALLEL2 chain structure. The L channel output features a clear sound, and the R channel output uses the DISTORTION sound. Use this by connecting the L and R output channels respectively to an amp of your choice.
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128 | [Ba]P3 W BASS | BASS | PARALLEL3 | PEQ | GEQ | GEQ | - | A memory that uses the PARALLEL3 chain structure. Configure different EQ settings for the L and R input channels. Use this by connecting the bass guitar you like to the L and R input channels respectively as needed.
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