AIRD PREAMP TYPE list

An amp with a broad frequency range and an extremely flat response. Good for acoustic guitar.

An unembellished, clean sound that minimizes the amp’s idiosyncrasies, such as its trebly character and boomy low end.

Crunch sound that allows the nuances of your picking to be expressed even more faithfully than on conventional combo amps.

Great-feeling crunch sound that responds to the nuances of your picking while taking advantage of the distinctive character of a 4x12” speaker cabinet.

An amp that delivers the distinctively great response and tone of a vintage Marshall, while making it even higher gain.

A large stack sound that has been tweaked extensively in the pursuit of the ultimate metal sound.

Crunch sound that uses MDP to deliver a crisp tone from all strings.

High-gain sound that uses MDP to obtain high-gain sound with a wide range and a great-feeling sense of separation.

Core sound that uses MDP to preserve the definition of the sound even with extreme gain.

A high-gain sound that uses MDP for a dense midrange tone with dynamics.

A high-gain sound that uses MDP to emphasize sonic balance for phrases and ensemble playing.

A tight high-gain sound with an edge, which uses MDP.

This models the sound of the Roland JC-120.

This models a Fender Twin Reverb.

This models a Fender Deluxe Reverb.

This models a Fender Bassman 4x10” Combo.

This models a VOX AC30.

This models a Marshall 1959.

Models the sound of the Channel 2 MODERN Mode on the MESA/Boogie DUAL Rectifier.

This models the sound input to left input on a Matchless D/C-30.

This models the sound of the MESA/Boogie combo amp.

This models the dirty channel of an ORANGE ROCKERVERB.

This models the sound that models the high-gain channel of a Bogner Uberschall.