FX1/FX2/FX3
With FX1, FX2 and FX3, you can select the effect to be used from the following.
You can select the same effect for FX1, FX2, and FX3*1.
- You can only select OVERTONE with FX3.
Parameter | Value | Explanation |
|---|---|---|
ON/OFF | OFF, ON | Turns this effect on/off. |
FX TYPE | Refer to “FX1/FX2/FX3 FX TYPE”. | |
FX1/FX2/FX3 FX TYPE
This is a list of the effects that can be selected for FX1/FX2/FX3.
Effect name | Explanation | |
|---|---|---|
COMPRESSOR | Compressor | This is an effect that produces a long sustain by evening out the volume level of the input signal. |
LIMITER | Limiter | Attenuates loud input levels to prevent distortion. |
ENHANCER | Enhancer | This emphasizes the attack portion of the sound according to the changes in input level, adding more definition to the input audio. |
TOUCH WAH | Touch wah | You can produce a wah effect with the filter changing in response to the bass level. |
AUTO WAH | Auto wah | This effect changes the filtering over a periodic cycle, producing an automatic wah effect. |
FIXED WAH | Fixed wah | Gives a wah effect when the wah pedal is stopped at a midrange position. |
DEFRETTER | Defretter | This simulates a fretless bass. |
ENV FILTER | Envelope filter | Models the Mu-Tron III made by Musitronics. The filter operates according to the input strength, producing a wah effect. The filter lets only the low-frequency region pass through. |
BASS SYNTH | Bass synth | This processes the bass input sound to produce a synth sound. The filter operates differently according to how strongly you play the bass and what pitch you play.
|
SLOW GEAR | Slow gear | This produces a volume-swell effect (“violin-like” sound). |
AC BASS | Acoustic bass | Simulates the sound of an acoustic bass. |
FEEDBACKER | Feedbacker | Generates feedback. |
OD/DS | Overdrive distortion | This effect distorts the sound to create long sustain. |
PARA. EQ | Parametric equalizer | This adjusts the tone. You can adjust the sound character in three bands. |
GEQ | Graphic equalizer | This adjusts the tone. You can adjust the sound character in six bands. |
LOW GEQ | Low graphic equalizer | This adjusts the tone. You can adjust six bands in the lower frequency range. |
HIGH GEQ | High graphic equalizer | This adjusts the tone. You can adjust six bands in the higher frequency range. |
CHORUS | Chorus | This is an effect that adds a slightly modulated sound to the direct signal, creating beautiful spaciousness and depth. |
FLANGER | Flanger | The flanger effect gives a twisting, jet-airplane-like character to the sound. |
PHASER | Phaser | Gives a whooshing, swirling character to the sound by adding varied-phase portions to the direct sound. |
SCRIPT PH | Script phaser | Models the MXR Phase 90 which was manufactured during the ‘70s. |
CLASSIC-VIBE | Classic vibe | Although this resembles a phaser effect, it also provides a unique undulation that you can’t get with a regular phaser. |
ROTARY | Rotary | This produces an effect like the sound of a rotary speaker. |
VIBRATO | Vibrato | This effect creates vibrato by slightly modulating the pitch. |
TREMOLO | Tremolo | This effect creates a cyclic change in volume. |
SLICER | Slicer | This consecutively interrupts (or slices) the sound to create the effect of a rhythm backing phrase being played. |
OVERTONE | Overtone | This effect uses MDP technology to add new harmonics to the sound, producing resonance and richness that was not present in the original sound. |
PAN | Pan | With the volume level of the left and right sides alternately changing, when playing sound in stereo, you can get an effect that makes the guitar sound appear to fly back and forth between the speakers. |
RING MOD | Ring modulator | This creates a bell-like sound by ring-modulating the bass sound with the signal from the internal oscillator. The sound can be unmusical and lack distinctive pitches. |
HUMANIZER | Humanizer | This effect alters the bass sound to make it sound like a human voice. |
PITCH SHIFT | Pitch shifter | This effect changes the pitch of the original sound (up or down) within a range of two octaves. |
HARMONIST | Harmonist | Harmonist is an effect where the amount of shifting is adjusted according to an analysis of the bass input, allowing you to create harmony based on diatonic scales. |
OCTAVE | Octave | This adds a note one octave lower and a note two octaves lower, creating a richer sound. |
HEAVY OCT | Heavy octave | Adds pitches one and two octaves lower than the input audio. This also applies when you play chords, adding thickness to the chords you play. |
S-BEND | S-bend | Gives a pitch shift up/down effect that’s not possible when using typical bass vibrato bar techniques. |
PEDAL BEND | Pedal bend | This is a pitch bend effect that’s controlled by operating the expression pedal on this unit or by using an expression pedal connected to the CTL 2, 3/EXP 2 jack. |
TUNE DOWN | Tune down | Gives the effect of tuning your bass guitar lower. |
DELAY | Delay | This effect adds delayed sound to the direct sound, to give more body to the sound or create special effects. |
REVERB | Reverb | This effect adds reverberation to the sound. |
Additional information
- COMPRESSOR
- LIMITER
- ENHANCER
- TOUCH WAH
- AUTO WAH
- FIXED WAH
- DEFRETTER
- ENV FILTER (ENVELOPE FILTER)
- BASS SYNTH
- SLOW GEAR
- AC BASS (ACOUSTIC BASS)
- FEEDBACKER
- OD/DS
- PARA.EQ (PARAMETRIC EQUALIZER)
- GEQ (GRAPHIC EQUALIZER)
- LOW GEQ (LOW GRAPHIC EQUALIZER)
- HIGH GEQ (HIGH GRAPHIC EQUALIZER)
- CHORUS
- FLANGER
- PHASER
- SCRIPT PH (SCRIPT PHASER)
- CLASSIC-VIBE
- ROTARY
- VIBRATO
- TREMOLO
- SLICER
- OVERTONE
- PAN
- RING MOD (RING MODULATOR)
- HUMANIZER
- PITCH SHIFT (PITCH SHIFTER)
- HARMONIST
- OCTAVE
- HEAVY OCT (HEAVY OCTAVE)
- S-BEND
- PEDAL BEND
- TUNE DOWN
- DELAY
- REVERB