Gt -> Flanger (Guitar Amp Simulator -> Flanger)

| Parameter | Value | Explanation | ||
|---|---|---|---|---|
| Pre Amp Sw | OFF, ON | Turns the amp switch on/off. | ||
| ATyp | Type of guitar amp | |||
| JC-120 | This models the sound of the Roland JC-120. | |||
| CLEAN TWIN | This models a Fender Twin Reverb. | |||
| MATCH DRIVE | This models the sound input to left input on a Matchless D/C-30. A simulation of the latest tube amp widely used in styles from blues and rock. | |||
| BG LEAD | This models the lead sound of the MESA/ Boogie combo amp. The sound of a tube amp typical of the late ’70s to ’80s. | |||
| MS1959I | This models the sound input to Input I on a Marshall 1959. This is a trebly sound suited to hard rock. | |||
| MS1959II | This models the sound input to Input II on a Marshall 1959. | |||
| MS1959I+II | The sound of connecting inputs I and II of the guitar amp in parallel. This creates a sound with a stronger low end than I. | |||
| SLDN LEAD | This models a Soldano SLO-100. This is the typical sound of the eighties. | |||
| METAL 5150 | This models the lead channel of a Peavey EVH 5150. | |||
| METAL LEAD | This is distortion sound that is ideal for performances of heavy riffs. | |||
| OD-1 | This models the sound of the BOSS OD-1. This produces sweet, mild distortion. | |||
| OD-2 TURBO | This is the high-gain overdrive sound of the BOSS OD-2. | |||
| DISTORTION | This gives a basic, traditional distortion sound. | |||
| FUZZ | A fuzz sound with rich harmonic content. | |||
| Drive | 0–127 | Volume and amount of distortion of the amp | ||
| Master Lv | 0–127 | Volume of the entire pre-amp | ||
| Gain | LOW, MIDDLE, HIGH | Amount of pre-amp distortion | ||
| Bass | 0–127 | Tone of the bass/mid/treble frequency range | ||
| Middle | 0–127 | |||
| Treble | 0–127 | |||
| Speaker Sw | OFF, ON | Selects whether the sound will be sent through the speaker simulation (ON) or not (OFF). | ||
| STyp | Cabinet | Diameter (in inches) and number of the speaker | Microphone | |
| SMALL 1 | small open-back enclosure | 10 | dynamic | |
| SMALL 2 | small open-back enclosure | 10 | dynamic | |
| MIDDLE | open back enclosure | 12 x 1 | dynamic | |
| JC-120 | open back enclosure | 12 x 2 | dynamic | |
| BUILT-IN 1 | open back enclosure | 12 x 2 | dynamic | |
| BUILT-IN 2 | open back enclosure | 12 x 2 | condenser | |
| BUILT-IN 3 | open back enclosure | 12 x 2 | condenser | |
| BUILT-IN 4 | open back enclosure | 12 x 2 | condenser | |
| BUILT-IN 5 | open back enclosure | 12 x 2 | condenser | |
| BG STACK 1 | sealed enclosure | 12 x 2 | condenser | |
| BG STACK 2 | large sealed enclosure | 12 x 2 | condenser | |
| MS STACK 1 | large sealed enclosure | 12 x 4 | condenser | |
| MS STACK 2 | large sealed enclosure | 12 x 4 | condenser | |
| METAL STACK | large double stack | 12 x 4 | condenser | |
| 2-STACK | large double stack | 12 x 4 | condenser | |
| 3-STACK | large triple stack | 12 x 4 | condenser | |
| Flg Switch | OFF, ON | Flanger on/off | ||
| Flg PreDly | 0.0–100 [ms] | Delay time from the direct sound until the flanger sound is heard | ||
| F.Rate | 0.05–10.00 [Hz] | Frequency of modulation | ||
| Flg Depth | 0–127 | Depth of modulation | ||
| Flg Fbk | -98–+98 [%] | Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. | ||
| Flg Bal | D100:0W–D0:100W | Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D). | ||
| Level | 0–127 | Output Level | ||