Gt -> Delay (Guitar Amp Simulator -> Delay)

Parameter | Value | Explanation | ||
---|---|---|---|---|
Pre Amp Sw | OFF, ON | Turns the amp switch on/off. | ||
ATyp | Type of guitar amp | |||
JC-120 | This models the sound of the Roland JC-120. | |||
CLEAN TWIN | This models a Fender Twin Reverb. | |||
MATCH DRIVE | This models the sound input to left input on a Matchless D/C-30. A simulation of the latest tube amp widely used in styles from blues and rock. | |||
BG LEAD | This models the lead sound of the MESA/ Boogie combo amp. The sound of a tube amp typical of the late ’70s to ’80s. | |||
MS1959I | This models the sound input to Input I on a Marshall 1959. This is a trebly sound suited to hard rock. | |||
MS1959II | This models the sound input to Input II on a Marshall 1959. | |||
MS1959I+II | The sound of connecting inputs I and II of the guitar amp in parallel. This creates a sound with a stronger low end than I. | |||
SLDN LEAD | This models a Soldano SLO-100. This is the typical sound of the eighties. | |||
METAL 5150 | This models the lead channel of a Peavey EVH 5150. | |||
METAL LEAD | This is distortion sound that is ideal for performances of heavy riffs. | |||
OD-1 | This models the sound of the BOSS OD-1. This produces sweet, mild distortion. | |||
OD-2 TURBO | This is the high-gain overdrive sound of the BOSS OD-2. | |||
DISTORTION | This gives a basic, traditional distortion sound. | |||
FUZZ | A fuzz sound with rich harmonic content. | |||
Drive | 0–127 | Volume and amount of distortion of the amp | ||
Master | 0–127 | Volume of the entire pre-amp | ||
Gain | LOW, MIDDLE, HIGH | Amount of pre-amp distortion | ||
Bass | 0–127 | Tone of the bass/mid/treble frequency range | ||
Middle | 0–127 | |||
Treble | 0–127 | |||
Speaker Sw | OFF, ON | Selects whether the sound will be sent through the speaker simulation (ON) or not (OFF). | ||
STyp | Cabinet | Diameter (in inches) and number of the speaker | Microphone | |
SMALL 1 | small open-back enclosure | 10 | dynamic | |
SMALL 2 | small open-back enclosure | 10 | dynamic | |
MIDDLE | open back enclosure | 12 x 1 | dynamic | |
JC-120 | open back enclosure | 12 x 2 | dynamic | |
BUILT-IN 1 | open back enclosure | 12 x 2 | dynamic | |
BUILT-IN 2 | open back enclosure | 12 x 2 | condenser | |
BUILT-IN 3 | open back enclosure | 12 x 2 | condenser | |
BUILT-IN 4 | open back enclosure | 12 x 2 | condenser | |
BUILT-IN 5 | open back enclosure | 12 x 2 | condenser | |
BG STACK 1 | sealed enclosure | 12 x 2 | condenser | |
BG STACK 2 | large sealed enclosure | 12 x 2 | condenser | |
MS STACK 1 | large sealed enclosure | 12 x 4 | condenser | |
MS STACK 2 | large sealed enclosure | 12 x 4 | condenser | |
METAL STACK | large double stack | 12 x 4 | condenser | |
2-STACK | large double stack | 12 x 4 | condenser | |
3-STACK | large triple stack | 12 x 4 | condenser | |
Delay Sw | OFF, ON | Delay on/off | ||
Dly Time | 1–1300 | Delay time from the direct sound until the delay sound is heard | ||
Delay Fbk | -98–+98 [%] | Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. | ||
Dly HF | 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] | Frequency at which the high-frequency portion of the delay sound will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS. | ||
Dly Bal | D100:0W–D0:100W | Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). | ||
Level | 0–127 | Output Level |