Synth A/B Edit Parameter

The attack time of the envelope

This is the time over which the sound reaches its maximum volume after you press the key. Larger values make the attack gentler, and smaller settings make the attack sharper.

The decay time of the envelope

This is the time over which the volume decreases from its maximum value. Larger settings of this value make the decay longer, and smaller settings make the decay shorter.

The release time of the envelope

This is the time it takes after the key is released for a sound to become inaudible. Larger settings of this value make the sound linger, and smaller settings make the sound end more abruptly.

The cutoff frequency of the filter

Increasing this value makes the sound brighter, and decreasing it makes the sound darker.

The filter resonance

Emphasizes the portion of the sound in the region of the cutoff frequency, adding character to the sound. Excessively high settings can produce oscillation, causing the sound to distort. Increasing this value strengthens the character, and decreasing it weakens the character.

The part MFX type

The parameters to set for each effect change according to the effect type.

Synth part volume

Synth part pan

MIDI channel on which data is received by the SYNTH part

Sets whether to use the part EQ (an equalizer applied to each part) (ON) or not (OFF).

Amount of boost/cut for the input to the EQ

Amount of low range boost/cut

Center frequency of the low range

Amount of boost/cut for the mid range

Center frequency of the mid range

Bandwidth of the mid-frequency range

Higher values make the bandwidth narrower.

Amount of high range boost/cut

Center frequency of the high range

The maximum velocity value available when you play the keyboard

When you lower this value, the volume does not increase too much even when you play the keyboard hard.

This may have no effect, depending on the selected tone.

Sets the lower/upper limits for the velocities at which tones play. Use this to make different tones sound when you play the keyboard at different strengths.

Shifts the note numbers that are transmitted from the keyboard to the internal sound engine or external device.

Finely adjusts the pitch in units of one cent.

Specifies the amount of pitch change in semitone units (maximum two octaves) that occurs when you move a controller such as a wheel, when pitch bend is assigned to that controller. Choose “TONE” if you want to use the setting specified by the tone.

Specifies whether portamento is applied. Select “ON” to apply portamento, or “OFF” if you don’t want to apply portamento. Choose “TONE” if you want to use the setting specified by the tone.

The vibrato speed (rate at which the pitch is modulated)

The pitch is modulated more rapidly for higher settings, and more slowly with lower settings.

The depth of the vibrato effect (the depth at which the pitch is modulated)

The pitch is modulated more greatly for higher settings, and less with lower settings.

The time until vibrato (pitch modulation) starts to apply

Higher settings produce a longer time before vibrato begins, while lower settings produce a shorter time.

Choose "MONO" if you want to play the SYNTH part monophonically, and choose “POLY” if you want to play polyphonically.
Choose “TONE” if you want to use the setting specified by the tone.

STACK: Holds all sounds for which you’ve released the keys while the Hold pedal is depressed (when CC#64 is greater than or equal to 64).
LEGATO: While the Hold pedal is depressed (when CC#64 is at a value greater than or equal to 64), the sounds for which you’ve released the keys are held until a new key-on (single notes or chords) is input.

Set this to OFF if you don’t want the pitch bend to be applied to the sound that is being held by the Hold pedal or the like.

Sets what happens when you move a controller to which pitch bend is assigned, such as the [PITCH] wheel.

NORMAL: This gives the normal pitch bend effect.
CATCH+LAST: The pitch bend effect applies only to the last-played sound (note). If a key is played (note-on) while pitch bend is already applied, the new note sounds at the center pitch. The pitch starts changing only after the controller passes through the center position.

TONE: Uses the Bend Mode setting that’s set for the tone.

Sets whether to enable the aftertouch effect that’s set for the tone (ON), or not (OFF).

Sets whether the hold pedal works on the part (ON) or does not (OFF).

Sets whether program change messages are received (ON) or not (OFF).

Sets whether to receive Bank Select (ON) or not (OFF).

Sets whether pitch bend messages are received (ON) or not (OFF).

Sets whether to receive polyphonic aftertouch (ON) or not (OFF).

Sets whether to receive channel aftertouch (ON) or not (OFF).

Sets whether to receive modulation (ON) or not (OFF).

Sets whether to receive volume (ON) or not (OFF).

Sets whether to receive pan (ON) or not (OFF).

Sets whether to receive expression messages (ON) or not (OFF).

Sets whether to receive hold 1 (ON) or not (OFF).

Connector for output of MIDI messages sent by the Ext part of Synth A/B

Sets the channel for transmitting MIDI messages sent by the Ext part of Synth A/B.

Input the program number or bank select MSB/LSB as a number to make the external MIDI device switch between tones.

The value you set is transmitted when you switch scenes. Messages are not transmitted when “---” is selected.

Transmits volume, pan, and other MIDI messages to the external device.

The value you set is transmitted when you switch scenes. Messages are not transmitted when “---” is selected.

Key range (range of notes on the keyboard) used for outputting note messages transmitted by the Ext part of Synth A/B

Specify the lower and upper limits for the key ranges to set.

Velocity lower limit (Lower) and upper limit (Upper) of the note messages transmitted by the Ext part of Synth A/B

Adjusts the filter’s cutoff frequency. Increasing this value makes the sound brighter, and decreasing it makes the sound darker.

Emphasizes the portion of the sound in the region of the cutoff frequency, adding character to the sound. Excessively high settings can produce oscillation, causing the sound to distort. Increasing this value strengthens the character, and decreasing it weakens the character.

This is the time over which the sound reaches its maximum volume after you press the key. Larger values make the attack gentler, and smaller settings make the attack sharper.

This is the time over which the volume decreases from its maximum value. Larger settings of this value make the decay longer, and smaller settings make the decay shorter.

This is the time it takes after the key is released for a sound to become inaudible. Larger settings of this value make the sound linger, and smaller settings make the sound end more abruptly.

Sends a MIDI message (MONO/POLY) to set how the tone is to be played to the external device.
POLY: polyphonic
MONO: monophonic
The value you set is transmitted when you switch scenes. Messages are not transmitted when “---” is selected.