Master Comp Parameter

Parameter	Explanation
Compressor Type	Compressor type
Compressor Type	Standard Compressor: A three-band compressor that’s simple and easy to use. FETComp-76: This models a classic studio-use FET compressor. When you select FETCOMP-76, this effect may output a very loud sound, depending on how the parameters are set. Also, use caution when inputting very loud sounds into the FETCOMP-76 effect, as this may cause the output sound to distort or produce noise. If this happens, lower the Input Level or Output Level or take other measures to adjust the volume.
SW	Mastering COMP (compressor applied to the entire V-STAGE sound generator) on/off
Comp parameters	The editable parameters differ depending on the type of compression you selected in Compressor Type.

Standard Compressor


Parameter	Explanation
Template	Compressor templates
Control	Adjusts the depth of the compressor Higher values produce a stronger effect.
Input Gain	Amount of boost/cut for the input to the EQ
Split Freq High	Frequency at which the high-frequency band (HIGH) and mid-frequency band (MID) are divided
Split Freq Low	Frequency at which the low-frequency band (LOW) and mid-frequency band (MID) are divided
Low Threshold	Volume level at which low-frequency compression begins
Low Ratio	Compression ratio for the low-frequency range
Low Knee	This function smooths out the transition from the uncompressed state to the state in which compression is just beginning. Compression is gradually applied starting just before the Low Threshold point. Higher values produce a smoother transition.
Low Attack	Specifies the time from when the input exceeds Low Threshold until compression is applied to the volume of the midrange band.
Low Release	This sets the time it takes to stop low-band audio compression once the input falls below Low Threshold, from the time that compression is applied.
Low Output Gain	Low-frequency output volume
Mid Threshold	Volume level at which mid-frequency compression begins
Mid Ratio	Compression ratio for the mid-frequency range
Mid Knee	This function smooths out the transition from the uncompressed state to the state in which compression is just beginning. Compression is gradually applied starting just before the Mid Threshold point. Higher values produce a smoother transition.
Mid Attack	Specifies the time from when the input exceeds Mid Threshold until compression is applied to the volume of the mid-frequency band.
Mid Release	This sets the time it takes to stop midrange audio compression once the input falls below Mid Threshold, from the time that compression is applied.
Mid Output Gain	Mid-frequency output volume
High Threshold	Volume level at which high-frequency compression begins
High Ratio	Compression ratio for the high-frequency range
High Knee	This function smooths out the transition from the uncompressed state to the state in which compression is just beginning. Compression is gradually applied starting just before the High Threshold point. Higher values produce a smoother transition.
High Attack	Specifies the time from when the input exceeds High Threshold until compression is applied to the volume of the high-frequency band.
High Release	This sets the time it takes to stop high-band audio compression once the input falls below High Threshold, from the time that compression is applied.
High Output Gain	High-frequency output volume

FETComp-76


Parameter	Explanation
Template	Compressor templates
Control	Adjusts the depth of the compressor Higher values produce a stronger effect.
Input Level	The input volume
Output Level	The output volume
Attack	Sets the time it takes for compression to start, once the audio input crosses the threshold. A value of 0.0 is the longest time it takes for compression to be applied.
Release	Adjusts the time after the input signal volume falls below the threshold until compression stops. A value of 0.0 is the longest time it takes until compression stops.
Ratio Mode	Compression ratio ALL: This works the same as if all buttons were pressed.
Balance	The volume balance of the sound that passes through the compressor (W) and the unprocessed sound (D)
Compress Sw	If this is “ON”, the compression effect is applied.