DELAY PLUS

Chain	Palette

This produces a variety of delay sounds ranging from simple effects to richly idiosyncratic sounds.

This changes the parameters that are shown for the selected type.

Parameter	Value	Explanation
ON/OFF	OFF, ON	Turns this effect on/off.
TYPE	MONO	This is a simple mono delay.
	DIR/EFX	The direct sound is output from the left channel, and the effect sound is output from the right channel.
	STEREO	This is a stereo-in/out delay.
	PAN	This delay is specifically for stereo output. This allows you to obtain the tap delay effect that divides the delay time, then deliver them to L and R channels.
	REVERSE	Produces a reverse playback effect.
	DUAL	A delay comprising two different delays connected either in series or in parallel. Parameters shown when TYPE: DUAL is selected Ø “TYPE: DUAL parameters”
TIME	1ms–2000ms, BPM ŀ–Ō	Adjusts the delay time. When set to BPM, the value of each parameter will be set according to the value of the “MASTER BPM” specified for each memory. This makes it easier to achieve effect sound settings that match the tempo of the song. If, due to the tempo, the time is longer than the range of allowable settings, it is then synchronized to a period either 1/2 or 1/4 of that time.
FEEDBACK	0–100	Adjusts the volume of delay that is returned to the input. Higher settings will result in more delay repeats.
EFFECT LEVEL	0–120	Adjusts the volume of the delay sound.
DIRECT LEVEL	0–100	Adjusts the volume of the direct sound.
HIGH CUT	20.0 Hz–12.5 kHz, FLAT	Sets the frequency at which the high cut filter begins to take effect. When FLAT is selected, the high cut filter has no effect.
MOD RATE	0–100	Adjusts the modulation rate of the delay sound.
MOD DEPTH	0–100	Adjusts the modulation depth of the delay sound.
DUCK SENS	0–100	Adjusts the sensitivity by which the volume is automatically adjusted according to the input. Increasing this value makes the response more sensitive at lower volumes.
DUCK PRE	0–100	The volume being “input” to the delay is automatically reduced when the input sound is loud. As this setting approaches 100, the reduction effect becomes more pronounced.
DUCK POST	0–100	The volume being “output” to the delay is automatically reduced when the input sound is loud. As this setting approaches 100, the output volume reduction is applied more deeply.
TAP TIME ^*1	0–100%	Adjusts the delay time of the right channel delay. This setting adjusts the R channel delay time relative to the L channel delay time (considered as 100%).
AUTO TRIGGER ^*2	OFF, ON	If this is “ON,” an effect is produced that matches what you’re playing.
CARRYOVER	OFF, ON	You can specify whether the effect sound carries over when you switch the DELAY to “OFF”.
BPM	40–250	Adjusts the BPM value for each memory. BPM (beats per minute) indicates the number of quarter note beats that occur each minute. When you have an external MIDI device connected, the MASTER BPM synchronizes to the external MIDI devices tempo, making it impossible to set the MASTER BPM. To enable setting of the MASTER BPM, set “SYNC CLOCK” to “INTERNAL”.

Displays when TYPE is “PAN”.
Displays when TYPE is “REVERSE”.

Additional information

TYPE: DUAL parameters