Organ Edit Parameter

Tone category
Other parameters such as the MFX do not change when you change the category.

The tone type
You can select different types depending on the current category.
Other parameters such as the MFX do not change when you change the type.

Vibrato/chorus on/off

Amount of vibrato/chorus is applied

V-1: vibrato (weak)

V-2: vibrato (moderate)

V-3: vibrato (strong)

C-1: chorus (weak)

C-2: chorus (moderate)

C-3: chorus (strong)

Amount of leakage noise (a noise that’s characteristic of tonewheel organs)

Volume of the click sound when a key is pressed

Volume of the click sound when a key is released

Expression pedal depth for the tone

NORMAL: This curve offers greater changes in volume according to the expression pedal angle, and is suitable for songs with a wider dynamic range.

SOFT: This curve applies expression pedal changes to the volume more gradually, and is suitable for songs with a more limited dynamic range.

Percussion sound on/off

NORM: The percussion sound is at the normal level, and the harmonic bar sounds are softer.

SOFT: The percussion sound is softer, and the harmonic bars are at the normal level.

SLOW: The percussion sound fades out slowly, making the attack portion sound smoother.

FAST: The percussion sound fades out quickly, giving the sound a sharp attack.

2ND: A percussion sound plays at the same pitch as the 4′ harmonic bar.

3RD: A percussion sound plays at the same pitch as the 2 2/3′ harmonic bar.

The percussion charge time from the moment you release the keyboard until the percussion is recharged
Higher values indicate a longer charge time. The percussion sounds get softer when you play legato.

MEMOWhat is “percussion recharge time”?

On tonewheel organs, the percussion sound is created by analog circuitry. For this reason, if the time between releasing a key and pressing the next key is extremely short, the percussion circuit doesn’t fully recharge, resulting in a softer percussion sound. This offers a percussion sound that connects the notes in a natural way, even when you’re playing rapid trills (for example) and there are brief breaks in your legato playing. Use the percussion recharge time parameter to set this recharge time.

The volume of the harmonic bars when PERCUSSION [SOFT] is off

Larger values make the percussion sound less likely to occur with the sound of the harmonic bars.

The volume of the percussion sound when PERCUSSION [SOFT] is on

Higher values produce a louder percussion sound.

The volume of the percussion sound when PERCUSSION [SOFT] is off

Higher values produce a louder percussion sound.

The time it takes for the percussion sound to decay when PERCUSSION [SLOW] is on

The higher the value, the longer it takes for the percussion sound to fade out.

The time it takes for the percussion sound to decay when PERCUSSION [SLOW] is off

The higher the value, the longer it takes for the percussion sound to fade out.

Overdrive on/off

Distortion type

The parameters to set depend on the selected type.

Degree of distortion

Also changes the volume.

Volume of the direct sound mixed with the overdrive

Output level

Amplifier switch

Guitar amp type

Ø “Amp Type”

Pre-amp distortion

Volume and distortion of the amp

When distortion is applied, this limits the maximum volume to the value you set.

Tonal character of the high, middle, and low frequency ranges

Tonal character of the ultra-high frequency range

When set to “ON”, the sound is bright and crisp.

• This is enabled only when the preamp type is “JC-120”, “CLEAN TWIN”, “MATCH DRIVE”or “BG LEAD”.

Selects whether the signal is routed through the speakers (ON) or not (OFF).

Speaker type

Ø “Speaker Type”

1–3

The position of the mic that picks up the speaker sound
The mic is correspondingly moved further away from the speaker (1 is closest, 3 is farthest).

0–127

Mic volume

0–127

Volume of the direct sound

0–127

Volume of the direct sound mixed with the overdrive

0–127

Output level

Distortion strength

When distortion is applied, this limits the maximum volume to the value you set.

Gain after distortion is added

Volume balance between the effect sound (W) and dry sound (D)

Sets the volume of the direct sound mixed with the overdrive.

Type of filter used before distortion processing

THRU: no filter is applied

LPF: a filter that allows sound lower than the specified frequency to pass

HPF: a filter that allows sound higher than the specified frequency to pass

LSV: a filter that amplifies/attenuates sound lower than the specified frequency

HSV: a filter that amplifies/attenuates sound higher than the specified frequency

Frequencies on which the filters operate before distortion processing is applied

Amount of amplification/attenuation when LSV/HSV type is selected

Type of filter 1, used after distortion processing

Frequencies on which filter 1 operates after distortion processing is applied

Amount of amplification/attenuation used when the LSV/HSV filter type is selected

Type of filter 2, used after distortion processing

Frequencies on which filter 2 operates after distortion processing is applied

Amount of amplification/attenuation when LSV/HSV type is selected

The filter types available for filter 3 after distortion processing

THRU: no filter is applied

LPF: a filter that allows sound lower than the specified frequency to pass

HPF: a filter that allows sound higher than the specified frequency to pass

BPF: a filter that allows only a specified frequency band to pass

PKG: a filter that amplifies/attenuates the specified frequencies

Frequencies on which filter 3 operates after distortion processing is applied

Amount of amplification/attenuation used when the PKG filter type is selected

Width of frequency band that’s passed through the filter

Output level

Turns the rotary effect on/off.

Speaker rotation cycle (SLOW: low speed; FAST: high speed)

Stops the speaker rotation (when set to ON, speaker rotation stops gradually; when set to OFF, speaker rotation starts)

The distance from the microphone recording the rotary speaker

Level of distortion specific to the rotary speaker

Speed at which the woofer rotates when set to SLOW

Speed at which the tweeter rotates when set to SLOW

Speed at which the woofer rotates when set to FAST

Speed at which the tweeter rotates when set to FAST

Time it takes for the woofer’s rotation speed to change when Speed is switched from SLOW to FAST

Time it takes for the woofer’s rotation speed to change when Speed is switched from FAST to SLOW

Time it takes for the tweeter’s rotation speed to change when Speed is switched from SLOW to FAST

Time it takes for the tweeter’s rotation speed to change when Speed is switched from FAST to SLOW

Distance between the two microphones used for recording the rotary speaker’s woofer

Angle at which the woofer stops when the rotary speaker stops rotating

Distance between the two microphones used for recording the rotary speaker’s tweeter

Angle at which the tweeter stops when the rotary speaker stops rotating

Sensitivity of the mic recording the rotary speaker’s woofer

Sensitivity of the mic recording the rotary speaker’s tweeter

Adjusts the high-end gain

Adjusts the low-end gain

Turns the ring modulator on/off.

Frequency at which modulation is applied

Amount of frequency modulation applied

Direction in which the frequency modulation moves

UP: moves towards the high frequencies

DOWN: moves towards the low frequencies

Volume balance between the original sound (D) and the effect sound (W)

Delay on/off

If this is ON, the time synchronizes with the tempo.

Ø “TEMPO/METRONOME”
Ø “Scene Edit Parameter”
Ø “Sync Tempo”

Delay time from when the direct sound until the delay sound is heard

This can be selected when Sync is “ON”. Ø “Note”

Proportion of the delay sound that is fed back into the effect (negative values invert the phase)

Volume balance between the original sound (D) and the delay sound (W)

The frequency from which the high-end frequencies of the delay sound fed back to the input are cut (BYPASS: no frequencies are cut)

Reverb on/off

Selects the type of reverb.

ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2

Delay time from when the direct sound until the delay sound is heard

Delay time (as a note value) from when the direct sound until the delay sound is heard

Volume balance between the original sound (D) and the reverb (W)

The frequency from which the high-end frequencies of the delay sound fed back to the input are cut (BYPASS: no frequencies are cut)

ORGAN part volume

ORGAN part pan

MIDI channel for data received by the upper part of the ORGAN part

MIDI channel for data received by the lower part of the ORGAN part

MIDI channel for data received by the pedal part of the ORGAN part

Sets whether to use the part EQ (an equalizer applied to each part) (ON) or not (OFF).

Amount of boost/cut for the input to the EQ

Amount of low range boost/cut

Center frequency of the low range

Amount of boost/cut for the mid range

Center frequency of the mid range

Bandwidth of the mid-frequency range. Higher values make the bandwidth narrower.

Amount of high range boost/cut

Center frequency of the high range

Shifts the note numbers that are transmitted from the keyboard to the internal sound engine or external device.

Sets whether the hold pedal works on the part (ON) or does not (OFF).

Sets whether program change messages are received (ON) or not (OFF).

Sets whether to receive Bank Select (ON) or not (OFF).

Sets whether pitch bend messages are received (ON) or not (OFF).

Sets whether to receive polyphonic aftertouch (ON) or not (OFF).

Sets whether to receive channel aftertouch (ON) or not (OFF).

Sets whether to receive modulation (ON) or not (OFF).

Sets whether to receive volume (ON) or not (OFF).

Sets whether to receive pan (ON) or not (OFF).

Sets whether to receive expression messages (ON) or not (OFF).

Sets whether to receive hold 1 (ON) or not (OFF).

Connector used for outputting MIDI messages transmitted by the Ext part of Organ UPPER, LOWER, and PEDAL

Sets the channel for transmitting MIDI messages sent by the Ext part of Organ UPPER.

Sets the channel for transmitting MIDI messages sent by the Ext part of Organ LOWER.

Sets the channel for transmitting MIDI messages sent by the Ext part of Organ PEDAL.

Input the program number or bank select MSB/LSB as a number to make the external MIDI device switch between tones.

The value you set is transmitted when you switch scenes. Messages are not transmitted when “---” is selected.

Transmits volume, pan, and other MIDI messages to the external device.

The value you set is transmitted when you switch scenes. Messages are not transmitted when “---” is selected.

Key range (range of notes on the keyboard) used for outputting MIDI messages transmitted by the Ext part of Organ UPPER, LOWER, AND PEDAL

Specify the lower and upper limits for the key ranges to set.

Velocity lower limit (Lower) and upper limit (Upper) of the note messages transmitted by the Ext part of Organ UPPER, LOWER, AND PEDAL

Adjusts the filter’s cutoff frequency. Increasing this value makes the sound brighter, and decreasing it makes the sound darker.

Emphasizes the portion of the sound in the region of the cutoff frequency, adding character to the sound. Excessively high settings can produce oscillation, causing the sound to distort. Increasing this value strengthens the character, and decreasing it weakens the character.

Adjusts the time over which the sound reaches its maximum volume after you press the key. Larger values make the attack gentler, and smaller settings make the attack sharper.

Adjusts the time over which the volume decreases from its maximum value. Larger settings of this value make the decay longer, and smaller settings make the decay shorter.

The time it takes after the key is released for a sound to become inaudible. Larger settings of this value make the sound linger, and smaller settings make the sound end more abruptly.

Sends a MIDI message (MONO/POLY) to set how the tone is to be played to the external device.
POLY: polyphonic
MONO: monophonic
The value you set is transmitted when you switch scenes. Messages are not transmitted when “---” is selected.