E.Piano Edit Parameter

Tone category

• Other parameters such as the MFX do not change when you change the category.

Instrument of a tone
You can select different instruments depending on the current category.

• Switching between instruments does not change parameters such as Piano Designer or MFX.

Volume of the bell sound

• This may have no effect, depending on the selected tone.

How much detune is applied

Changes how the sound plays when you play the keyboard lightly.
You can change the settings to be more suitable for playing solo, or to bring the piano sound up in the mix when playing with a band.
Larger values produce a certain level of sound even when you’re playing lightly. This makes it easier for your playing to be heard when you’re performing with a band.
Changing the value has no effect on how the tone changes according to velocity.

Adjusts the resonance of the subtle sounds that occur when a key of an electric piano is released.
Higher settings produce louder sympathetic resonance.

• This may have no effect, depending on the selected tone.

Sound when pressing a key on the electric piano (when playing the keyboard and the hammer strikes the tine or reed mechanism)
Higher settings produce a louder sound of the hammer striking the mechanism.

• This may have no effect, depending on the selected tone.

Adjusts the resonance of the subtle sounds that occur when a key of an electric piano is released (such as the key action and hammer).
Larger values produce a louder key release sound.

• This may have no effect, depending on the selected tone.

Adjusts the damper noise volume (the sound of the tone bar lifting off the strings when you press the damper pedal).
Higher settings produce louder damper noise.

• This may have no effect, depending on the selected tone.

Volume of hum noise picked up by the pickup
Lower values produce a clear sound, and higher values produce a dirty sound. A value of “0” makes the hum stop entirely.

• This may have no effect, depending on the selected tone.

Volume of hiss noise

The type of MFX used for the E.Piano part.

The parameters to set for each effect change according to the mode.

SDD-320, CE-1, JUNO-106 Chorus, Space-D, Hexa-chorus, Chorus, Detune, SBF-325, Flanger, Small Phaser, Script 90, Script 100, Phaser, UNI-V, ROTARY, VK Rotary, Auto Wah, Touch Wah, Pedal Wah, Tape Echo, Time CTRL Delay, Delay, 2 Tap Pan Delay, Modulation Delay, Reverse Delay, Chorus->Delay, Flanger->Delay, Enhancer->Delay, Phonograph, LOFI-Compress, Ring Modulator, Comp, Sustainer, Transient, Enhancer, Exciter, Auto Pan

PRE: Places the MFX before the pre EQ.

POST: Places the MFX after the Amp Sim.

Use Pre EQ (ON) or not (OFF)

Amount of boost/cut for the input to the EQ

Amount of low range boost/cut

Center frequency of the low range

Amount of boost/cut for the mid range

Center frequency of the mid range

Bandwidth of the mid-frequency range

Higher values make the bandwidth narrower.

Amount of high range boost/cut

Center frequency of the high range

Tremolo on/off

Type of tremolo

OLD CASE: Reproduces a typical electric piano sound of the early 1970s.

NEW CASE: Reproduces a typical electric piano sound from the late 1970s to the early 1980s.

DYNO: This model lets you change the waveform shape of the tremolo. This recreates the electric piano sound that was used on many recordings in the early 80s.

OLD CASE MONO: Reproduces the sound of one of the early typical electric pianos of the 1960s.

WURLY: Reproduces a typical electric piano sound of the 1960s.

RD-1000: Reproduces the sound of the Roland RD-1000.

If this is ON, the rate synchronizes with the tempo.

Ø “TEMPO/METRONOME”
Ø “Scene Edit Parameter”
Ø “Sync Tempo”

Tremolo rate (cycle)

Tremolo rate (cycle) Ø “Note”

Tremolo depth

Tremolo waveform

• This may have no effect, depending on the selected type.

Amp simulator on/off

Amp Simulator type

Line: Simulates the sound as if it were played through LINE outputs without going through speakers.

Old Case, New Case: Simulates a typical electric piano sound in combination with TINE E.PIANO.

Wurly: Simulates a standard 1960s electric piano sound in combination with REED E.PIANO.

SMALL 1/2, MIDDLE, JC-120, BUILT-IN 1–5:
Simulates playing through a guitar amp.

Distortion type

EP Drive: overdrive for E.Piano

Saturator: combines overdrive with a filter

Degree of distortion

Low-frequency level

High-frequency level

Drive volume

E.Piano part volume

E.Piano part pan

MIDI channel on which data is received by the E.Piano part

Sets whether to use the part EQ (an equalizer applied to each part) (ON) or not (OFF).

Amount of boost/cut for the input to the EQ

Amount of low range boost/cut

Center frequency of the low range

Amount of boost/cut for the mid range

Center frequency of the mid range

Bandwidth of the mid-frequency range. Higher values make the bandwidth narrower.

Amount of high range boost/cut

Center frequency of the high range

The maximum velocity value available when you play the keyboard
When you lower this value, the volume does not increase too much even when you play the keyboard hard.

• This may have no effect, depending on the selected tone.

Shifts the note numbers that are transmitted from the keyboard to the internal sound engine or external device.

Finely adjusts the pitch in units of one cent.

Specifies the amount of pitch change in semitone units (maximum two octaves) that occurs when you move a controller such as a wheel, when pitch bend is assigned to that controller. Choose “TONE” if you want to use the setting specified by the tone.

The vibrato speed (rate at which the pitch is modulated)

The pitch is modulated more rapidly for higher settings, and more slowly with lower settings.

The depth of the vibrato effect (the depth at which the pitch is modulated)

The pitch is modulated more greatly for higher settings, and less with lower settings.

The time until vibrato (pitch modulation) starts to apply

Higher settings produce a longer time before vibrato begins, while lower settings produce a shorter time.

Sets whether the hold pedal works on the part (ON) or does not (OFF).

Sets whether program change messages are received (ON) or not (OFF).

Sets whether to receive Bank Select (ON) or not (OFF).

Sets whether pitch bend messages are received (ON) or not (OFF).

Sets whether to receive polyphonic aftertouch (ON) or not (OFF).

Sets whether to receive channel aftertouch (ON) or not (OFF).

Sets whether to receive modulation (ON) or not (OFF).

Sets whether to receive volume (ON) or not (OFF).

Sets whether to receive pan (ON) or not (OFF).

Sets whether to receive expression messages (ON) or not (OFF).

Sets whether to receive hold 1 (ON) or not (OFF).

Connector for output of MIDI messages sent by the Ext part of E.Piano

Sets the channel for transmitting MIDI messages sent by the Ext part of E.Piano.

Input the program number or bank select MSB/LSB as a number to make the external MIDI device switch between tones.

The value you set is transmitted when you switch scenes. Messages are not transmitted when “---” is selected.

Transmits volume, pan, and other MIDI messages to the external device.

The value you set is transmitted when you switch scenes. Messages are not transmitted when “---” is selected.

Key range (range of notes on the keyboard) used for outputting note messages transmitted by the Ext part of E.Piano

Specify the lower and upper limits for the key ranges to set.

Velocity lower limit (Lower) and upper limit (Upper) of the note messages transmitted by the Ext part of E.Piano

Adjusts the filter’s cutoff frequency. Increasing this value makes the sound brighter, and decreasing it makes the sound darker.

Emphasizes the portion of the sound in the region of the cutoff frequency, adding character to the sound. Excessively high settings can produce oscillation, causing the sound to distort. Increasing this value strengthens the character, and decreasing it weakens the character.

Adjusts the time over which the sound reaches its maximum volume after you press the key. Larger values make the attack gentler, and smaller settings make the attack sharper.

Adjusts the time over which the volume decreases from its maximum value. Larger settings of this value make the decay longer, and smaller settings make the decay shorter.

The time it takes after the key is released for a sound to become inaudible. Larger settings of this value make the sound linger, and smaller settings make the sound end more abruptly.

Sends a MIDI message (MONO/POLY) to set how the tone is to be played to the external device.
POLY: polyphonic
MONO: monophonic
The value you set is transmitted when you switch scenes. Messages are not transmitted when “---” is selected.