Hold down the [SHIFT] button and press step pad [15] (MENU).
- Use the [TEMPO/VALUE] knob to select the item, and then press pad [2] (ENTER).
Menu list
Item |
Value |
Explanation |
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vOL (Volume) (*1) |
0–127 |
Sets the pattern’s volume. |
Nod.d (LFO Modulation Depth) (*1) |
0–255 | Sets the depth of the effect (vibrato or growl) applied to the OSC or FILTER from the LFO section when modulation is used. |
bnd.o (Oscillator Bend Sens) (*1) |
0–240 | Sets how much the OSC changes the pitch when you operate the pitch bend. (120: ±1oct, 240: ±2oct) |
bnd.F (Filter Bend Sens) (*1) |
0–255 | Sets how much the cutoff point changes the filter when you operate the pitch bend. |
nSNd (Noise Mode) (*1) |
Selects the type of noise. | |
Pink | Pink noise | |
ľhit | White noise | |
rS.Nd (Riser Mode) (*1) |
A riser is a rising sound that’s added to a song as the song builds in excitement and reaches its climax. In contrast, a “downer” is a falling sound. When the [NOISE] knob is set to minimum (“r.0”) or maximum (“d.0”), the riser sound is muted.
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OFF |
With this setting, the [NOISE] knob is used to adjust the noise level. When the Riser Mode is set to anything besides OFF, you can use the [NOISE] knob to control the riser. |
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SynC | The riser sound is output intermittently upbeat of the quarter notes, in time with the tempo. |
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qUiv | The intervals between riser sound output get faster as you turn the [NOISE] knob clockwise. | |
qvPn | The riser sound pans faster from left to right as you turn the [NOISE] knob clockwise. | |
rS.rS (Riser Resonance) (*1) |
0–100 | Adjusts the shrillness of the riser sound. |
rS.Sh (Riser Shape) |
0–100 | Adjusts the envelope shape of the riser sound. 0: sawtooth wave |
rS.Lv (Riser Level) (*1) |
0–100 | Adjusts the volume of the riser sound. |
LFO.N (LFO Mode) (*1) |
Selects how fast the LFO changes. | |
norN | Normal mode | |
FASt | Fast mode | |
LFO.S (LFO Sync) (*1) |
Sets whether to sync the LFO rate to the tempo. | |
OFF, On | When this is set to “On”, the LFO Mode is disabled. | |
LFO.K (LFO Key Trigger) (*1) |
OFF, On | Sets whether the LFO is reset when a note-on message is received or played. |
Cho (Chorus) (*1) |
OFF, 1–4 | Selects the chorus type. 1: A standard chorus effect. |
trAn (Transpose) (*1) |
-60– 60 | Transposes the sounds made by the sound generator. |
P.SCL (Pattern Scale) (*1) |
1_8 |
Sets the length of a single step in the pattern. 1_8: Eighth note
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N.Prb (Master Probability) |
-100–100 (in units of 10) | Changes the probability that notes are played by adding/subtracting the master probability to/from the probability that each step plays (which is set for each step in the pattern).
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n.Pri (Note Priority) |
LASt, Loľ | When the POLY function is set to “Nono”, “Uni”, “Chd” for single note input, and ENV TRG is set to a value “LFO” or “GAtE”, this sets whether the last notes are given priority (Last) or the lowest notes (Low). |
GL.d.r |
OFF, On | Selects whether to control delay and reverb by using the pattern parameters or by using the system parameters. |
d.L.Nd |
PrE, PoSt | Sets which level to adjust when the [DELAY] knob is used, the input level (Pre) or the output level (Post). With the “PrE” setting, the delay sound fades out smoothly when you turn down the [DELAY] knob; and with the “PoSt” setting, the delay sound is instantly muted when you turn down the [DELAY] knob. |
S.cLk (Sync Clock) |
1, 2, 3, 4, 6, 8, 12, 24 | Sets the number of sync clocks per beat. |
CH (MIDI Channel) |
1–16 |
Specifies the MIDI transmit/receive channel. |
SYnC (MIDI Clock Sync) |
AUtO Int NiDi USb |
Sets which synchronization signal is used by this unit. AUtO (Auto): Inputted clocks are accepted.
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thru (MIDI Thru) |
OFF, On | Sets whether to output the messages that are input from the MIDI IN jack to the MIDI OUT jack (ON) or not (OFF). |
txPc (Tx Program Change) |
OFF, On | Sets whether program change messages are transmitted or not when the pattern changes. |
rxPc (Rx Program Change) |
OFF, On | Sets whether the pattern changes when a program change message is received. |
Pc.Ch (Program Change Channel) |
1–16 | Sets the MIDI channel for transmitting/receiving the program change messages used to change patterns. |
vELo (Key Velocity) |
1–127 | Sets the keyboard velocity. |
tUnE (Tune) |
433.0–448.0 | Sets the master tuning. Default value: 440.0 Hz |
USb.d (USB Direct Out) |
OFF, 1–127 | Configures the volume of the signal output to USB. OFF: Uses the VOLUME knob’s setting. |
A.LnK (AIRA Link) (*2) |
OFF, On | Set this to “On” when connecting a device via USB that is compatible with AIRA LINK, such as the MX-1. |
Cnt.I |
OFF, 2–4 | Sets the length (the number of beats) of the count-in for recording. |
Ntro |
OFF, rEC (Rec), rC.PL (Rec&Play) | Sets whether and when the metronome plays. OFF: Always off |
Ntr.L (Metronome Level) |
0–100 | Sets the metronome level. |
d.Lat (D-Motion Latch) |
OFF, On | Sets whether to use latch operations for the [D-MOTION] button or not. Default value: OFF |
COPy (Pattern Copy) |
Copies the current pattern to a specified pattern. The copy destination number is shown in the display.
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init (Pattern Initialize) |
Initializes the currently selected pattern (performance data and tones). | |
rLod rL.Sd rL.Sq |
Reloads the pattern. rLod (Reload All): The selected pattern is restored to its last saved state. rL.Sd (Reload Sound): The tone of the selected pattern is restored to its last saved state.
rL.Sq (Reload Sequence): The performance data of the selected pattern is restored to its last saved state. |
*1: The settings are made for the currently selected pattern (and can be saved for each pattern).
*2: When using with another port besides the USB HOST 3 port on the MX-1, the unit starts up in battery-only mode. To use battery-only mode, turn on the power while holding down pad [1] (EXIT).