Parameter

Value

Explanation

Pre Amp Sw

OFF, ON

Turns the amp switch on/off.

ATyp

Type of guitar amp

JC-120

This models the sound of the Roland JC-120.

CLEAN TWIN

This models a Fender Twin Reverb.

MATCH DRIVE

This models the sound input to left input on a Matchless D/C-30.
A simulation of the latest tube amp widely used in styles from blues and rock.

BG LEAD

This models the lead sound of the MESA/ Boogie combo amp.
The sound of a tube amp typical of the late ’70s to ’80s.

MS1959I

This models the sound input to Input I on a Marshall 1959.
This is a trebly sound suited to hard rock.

MS1959II

This models the sound input to Input II on a Marshall 1959.

MS1959I+II

The sound of connecting inputs I and II of the guitar amp in parallel, creating a sound with a stronger low end than I.

SLDN LEAD

This models a Soldano SLO-100. This is the typical sound of the eighties.

METAL 5150

This models the lead channel of a Peavey EVH 5150.

METAL LEAD

This is distortion sound that is ideal for performances of heavy riffs.

OD-1

This models the sound of the BOSS OD-1.
This produces sweet, mild distortion.

OD-2 TURBO

This is the high-gain overdrive sound of the BOSS OD-2.

DISTORTION

This gives a basic, traditional distortion sound.

FUZZ

A fuzz sound with rich harmonic content.

Drive

0–127

Volume and amount of distortion of the amp

Master

0–127

Volume of the entire pre-amp

Gain

LOW, MIDDLE, HIGH

Amount of pre-amp distortion

Bass

0–127

Tone of the bass/mid/treble frequency range

Middle

0–127

Treble

0–127

Speaker Sw

OFF, ON

Selects whether the sound will be sent through the speaker simulation (ON) or not (OFF).
STyp
Cabinet Diameter (in inches) and number of the speaker Microphone
SMALL 1 small open-back enclosure 10 dynamic
SMALL 2 small open-back enclosure 10 dynamic
MIDDLE open back enclosure 12 x 1 dynamic
JC-120 open back enclosure 12 x 2 dynamic
BUILT-IN 1 open back enclosure 12 x 2 dynamic
BUILT-IN 2 open back enclosure 12 x 2 condenser
BUILT-IN 3 open back enclosure 12 x 2 condenser
BUILT-IN 4 open back enclosure 12 x 2 condenser
BUILT-IN 5 open back enclosure 12 x 2 condenser
BG STACK 1 sealed enclosure 12 x 2 condenser
BG STACK 2 large sealed enclosure 12 x 2 condenser
MS STACK 1 large sealed enclosure 12 x 4 condenser
MS STACK 2 large sealed enclosure 12 x 4 condenser
METAL STACK large double stack 12 x 4 condenser
2-STACK large double stack 12 x 4 condenser
3-STACK large triple stack 12 x 4 condenser
Delay Sw OFF, ON Delay on/off
Dly Time 1–1300 Delay time from when the original sound is heard to when the delay sound is heard
Delay Fbk -98–+98 [%] Adjusts the proportion of the delay sound that is fed back into the effect.
Negative (-) settings will invert the phase.
Dly HF 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] Frequency at which the high-frequency portion of the delay sound will be cut.
If you do not want to cut the high frequencies, set this parameter to BYPASS.
Dly Bal D100: 0W–D0: 100W Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D).
Level 0–127 Output Level