This is an effect that simulates the sound of a guitar amplifier.

Parameter

Value

Explanation
Pre Amp Sw OFF, ON Turns the amp switch on/off.

ATyp

JC-120

This models the sound of the Roland JC-120.

CLEAN TWIN

This models a Fender Twin Reverb.

MATCH DRIVE

This models the sound input to left input on a Matchless D/C-30.
A simulation of the latest tube amp widely used in styles from blues rock and fusion.

BG LEAD

This models the lead sound of the MESA/ Boogie combo amp.
The sound of a tube amp typical of the late ’70s to ’80s.

MS1959I

This models the sound input to Input I on a Marshall 1959.
This is a trebly sound suited to hard rock.

MS1959II

This models the sound input to Input II on a Marshall 1959.

MS1959I+II

The sound of connecting inputs I and II of the guitar amp in parallel, creating a sound with a stronger low end than I.

SLDN LEAD

This models a Soldano SLO-100. This is the typical sound of the eighties.

METAL 5150

This models the lead channel of a Peavey EVH 5150.

METAL LEAD

This is distortion sound that is ideal for performances of heavy riffs.

OD-1

This models the sound of the BOSS OD-1. This produces sweet, mild distortion.

OD-2 TURBO

This is the high-gain overdrive sound of the BOSS OD-2.

DISTORTION

This gives a basic, traditional distortion sound.

FUZZ

A fuzz sound with rich harmonic content.
Drive 0–127 Volume and amount of distortion of the amp
Master 0–127 Volume of the entire pre-amp
Gain LOW, MIDDLE, HIGH Amount of pre-amp distortion
Bass 0–127 Tone of the bass/mid/treble frequency range
Middle 0–127
Treble 0–127
Presence 0–127 Tone for the ultra-high frequency range

Bright

OFF, ON

Turning this “On” produces a sharper and brighter sound.

  • This parameter applies to the “JC-120,” “CLEAN TWIN,” “MATCH DRIVE,” and “BG LEAD” Pre Amp Types.

Speaker Sw

OFF, ON

Selects whether the sound will be sent through the speaker simulation (ON) or not (OFF)
STyp
Cabinet Diameter (in inches) and number of the speaker Microphone
SMALL 1 small open-back enclosure 10 dynamic
SMALL 2 small open-back enclosure 10 dynamic
MIDDLE open back enclosure 12 x 1 dynamic
JC-120 open back enclosure 12 x 2 dynamic
BUILT-IN 1 open back enclosure 12 x 2 dynamic
BUILT-IN 2 open back enclosure 12 x 2 condenser
BUILT-IN 3 open back enclosure 12 x 2 condenser
BUILT-IN 4 open back enclosure 12 x 2 condenser
BUILT-IN 5 open back enclosure 12 x 2 condenser
BG STACK 1 sealed enclosure 12 x 2 condenser
BG STACK 2 large sealed enclosure 12 x 2 condenser
MS STACK 1 large sealed enclosure 12 x 4 condenser
MS STACK 2 large sealed enclosure 12 x 4 condenser
METAL STACK large double stack 12 x 4 condenser
2-STACK large double stack 12 x 4 condenser
3-STACK large triple stack 12 x 4 condenser

Mic Setting

1–3

Adjusts the location of the microphone that is recording the sound of the speaker.

This can be adjusted in three steps, with the microphone becoming more distant in the order of 1, 2, and 3.
Mic Level 0–127 Volume of the microphone
Direct Level 0–127 Volume of the direct sound
Pan L64–63R Stereo location of the output sound
Level 0–127 Output Level