
Parameter |
Value |
Explanation |
|---|---|---|
| Type | Type of amp | |
| OLDCASE | A standard electric piano sound of the early 70s | |
| NEWCASE | A standard electric piano sound of the late 70s and early 80s | |
| Bass | -50–+50 | Amount of low-frequency boost/cut |
| Treble | -50–+50 | Amount of high-frequency boost/cut |
| Dly Switch | OFF, ON | Delay on/off |
| Delay Sync | OFF, ON | If this is ON, the rate synchronizes with the tempo of the rhythm. |
| D. Time | 1–1300 | Delay time from when the original sound is heard to when the delay sound is heard |
D.Time Nt |
||
Dly Accel |
0–15 |
Speed at which the current delay time changes to the specified delay time when you change the delay time. |
Delay Fbk |
-98–+98 [%] |
Adjusts the proportion of the delay sound that is fed back into the effect. |
| Dly HF | 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] | Frequency at which the high-frequency portion of the delay sound will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS. |
| Dly Bal | D100: 0W–D0: 100W | Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). |
| Sp Type | LINE, OLD, NEW, WURLY, TWIN | Type of speaker If LINE is selected, the sound will not be sent through the speaker simulation. |
| OD Switch | OFF, ON | Overdrive on/off |
| OD Gain | 0–127 | Overdrive input level |
| OD Drive | 0–127 | Degree of distortion Also changes the volume. |
| Level | 0–127 | Output Level |