Adds modulation to the delayed sound.
When Feedback Mode is NORMAL:
When Feedback Mode is CROSS:
Parameter |
Value |
Explanation |
|---|---|---|
| Dly L Sync | OFF, ON | If this is ON, the rate synchronizes with the tempo of the rhythm. |
| DL. Time | 1–1300 | Adjusts the time until the left delay sound is heard. |
DLTime Nt |
||
| Dly R Sync | OFF, ON | If this is ON, the rate synchronizes with the tempo of the rhythm. |
| DR. Time | 1–1300 | Adjusts the time until the right delay sound is heard. |
DRTime Nt |
||
| Fbk Mode | NORMAL, CROSS | Selects the way in which delay sound is fed back into the effect. (See the figures above.) |
| Feedback | -98–+98 [%] | Adjusts the proportion of the delay sound that is fed back into the effect. |
| HF Damp | 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] | Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to filter out any high frequencies, set this parameter to BYPASS. |
| Rate Sync | OFF, ON | If this is ON, the rate synchronizes with the tempo of the rhythm. |
| Rate | 0.05–10.00 [Hz] | Frequency of modulation |
Rate Note |
||
| Depth | 0–127 | Depth of modulation |
| Phase | 0–180 [deg] | Spatial spread of the sound |
| Low Gain | -15–+15 [dB] | Amount of boost/cut for the low-frequency range |
| High Gain | -15–+15 [dB] | Amount of boost/cut for the high-frequency range |
| Balance | D100: 0W–D0: 100W | Volume balance between the direct sound (D) and the delay sound (W) |
| Level | 0–127 | Output Level |